Greeks and BarbariansGreeks and Barbarians examines ancient Greek conceptions of the "other." The attitudes of Greeks to foreigners and there religions, and cultures, and politics reveals as much about the Greeks as it does the world they inhabited. Despite occasional interest in particular aspects of foreign customs, the Greeks were largely hostile and dismissive viewing foreigners as at best inferior, but more often as candidates for conquest and enslavement. |
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Page 17
Redfield's distinction of ' hard ' and ' soft peoples , and his demonstration of how the Persians , initially hard , become soft through their conquests of the soft peoples of Asia , also show how Herodotus ' ethnography is vital to his ...
Redfield's distinction of ' hard ' and ' soft peoples , and his demonstration of how the Persians , initially hard , become soft through their conquests of the soft peoples of Asia , also show how Herodotus ' ethnography is vital to his ...
Page 20
Saïd shows how Greek conceptions of the imagined wealth , the innate slavishness and the barbarity of barbarian peoples are repeatedly undermined by the context in which they are introduced by the playwright : how , for example ...
Saïd shows how Greek conceptions of the imagined wealth , the innate slavishness and the barbarity of barbarian peoples are repeatedly undermined by the context in which they are introduced by the playwright : how , for example ...
Page 21
Similarly , the conclusion of Herodotus ' Histories shows – through the barbaric punishment of a Persian at the hands of the father of Pericles ( and through an ironic flashback to the height of the ' hardness ' of the Persians ) – the ...
Similarly , the conclusion of Herodotus ' Histories shows – through the barbaric punishment of a Persian at the hands of the father of Pericles ( and through an ironic flashback to the height of the ' hardness ' of the Persians ) – the ...
Page 22
... why the vase is a wine jug , why national characteristics are not more pronounced and why the act of penetration is not actually shown : ' If this is a triumph , why not show the moment of penetration , the triumphant act ?
... why the vase is a wine jug , why national characteristics are not more pronounced and why the act of penetration is not actually shown : ' If this is a triumph , why not show the moment of penetration , the triumphant act ?
Page 27
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Contents
1 | |
15 | |
THEMES | 125 |
PEOPLES | 187 |
OVERVIEWS | 229 |
Intellectual Chronology | 311 |
Guide to Further Reading | 313 |
Bibliography | 314 |
Index | 328 |
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according Aeschylus ancient Antiquity appears argument Asia Athenian Athens authors Barbarian become Cadmus called century classical common concept context contrast culture customs dialect discussion divine early Egypt Egyptian empire especially ethnic Euripides evidence example existence fact fifth foreign further give gods Greece Greek Hall hand Hellenic Herodotus human idea identity important instance interest interpretation Isocrates Italy king land language later less linguistic matriarchy means mentioned myth nature never nomoi observed opposition oriental origin Paris particular period Persian Persian Wars Phoenician Plato play political possible practice present problem question reason refer regard relations religion Roman rule Scythians seems seen shows society sources speak speech story theory thought tradition tragedy turn University various whole women writing