Greeks and barbariansGreeks and Barbarians examines ancient Greek conceptions of the "other." The attitudes of Greeks to foreigners and there religions, and cultures, and politics reveals as much about the Greeks as it does the world they inhabited. Despite occasional interest in particular aspects of foreign customs, the Greeks were largely hostile and dismissive viewing foreigners as at best inferior, but more often as candidates for conquest and enslavement. |
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Page 96
Dionysus envisages this possibility, as early as the prologue, when he declares:
If the city of the Thebans, yielding to anger, takes up arms to try to drive the
Bacchants out of the mountains, I will fight it at the head of a band of Maenads ...
Dionysus envisages this possibility, as early as the prologue, when he declares:
If the city of the Thebans, yielding to anger, takes up arms to try to drive the
Bacchants out of the mountains, I will fight it at the head of a band of Maenads ...
Page 109
there are rarer variants: Heracles/satyr (2); Heracles/negro (2); Dionysus/satyr (1
); Dionysus/woman (1). The importance of the women is clear, and matches the
predominant model followed in jugs for pouring wine. The other subjects are ...
there are rarer variants: Heracles/satyr (2); Heracles/negro (2); Dionysus/satyr (1
); Dionysus/woman (1). The importance of the women is clear, and matches the
predominant model followed in jugs for pouring wine. The other subjects are ...
Page 147
A telling example is the figure of Dionysus. Nearly everyone10 used to believe
narratives (such as Euripides' Bacchae) which tell of the bringing of Dionysiac
religion from Asia or Thrace to Hellas, and so placed the introduction of this new
...
A telling example is the figure of Dionysus. Nearly everyone10 used to believe
narratives (such as Euripides' Bacchae) which tell of the bringing of Dionysiac
religion from Asia or Thrace to Hellas, and so placed the introduction of this new
...
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Contents
General Introduction | 1 |
3 the Staatliche Kunstsammlungen Dresden fig 4 the Museum | 3 |
of Fine Arts Boston fig 5 the Archaeological Institute of | 10 |
Copyright | |
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Common terms and phrases
Achaemenid Aeschylus Agamemnon Amazons ancient Antiquity argument Aristotle Athenaeus Athenian Athens Attic Aulis Bacchae Bacchants Barbarian barbarism Bernal Byzantine Cadmus civilisation classical common concept context contrast Ctesias cult customs Cyrus Darius despotism dialect Dionysus Doric Egypt Egyptian emphasises empire Emptiness of Asia ethnic ethnographic Euripides example fact fifth century foreign gods Greece Greek cities Greek history Greek nation Greek world Greeks and Barbarians Harrison Hartog Hecataeus Hellas Hellenic Hellenistic Heracles hero Herodotus historian hoplite Ibid identity interpretation Inventing the Barbarian Iphigenia Isocrates king koine language linguistic Lissarrague Menelaus myth mythical nature Nippel nomoi nomos non-Greek Orestes oriental origin panhellenic Paris Pelasgians Persian Wars Phoenician Women Phrygian Plato play polis political Pygmies religion representation Roman sacrifice Scythians slaves Spartan speak speech story Synodinou Thebes theme theory Thracian Thucydides tion tradition tragedy Trojan Xenophon Xerxes Zeus