Another step in the series of studies on specific problems of mass communication pointing up the instructional possibilities of radio in 16 underdeveloped areas from Algeria to the West Indies.

Williams, W. E. See Hill-Radio's Listening Groups.

Willis, Edgar E. Foundations in Broadcasting. New York, Oxford University Press, 1951.

A general history of radio and television with specifics on techniques of programing as they relate to each medium.

Wisconsin Association for Better Radio and Television, 2545 Van Hise, Madison, Wis. Let's Learn to Listen, 1945. A handbook for the radio listener designed to stimulate its readers to detect the differences between good and not so good programs.

Wittenberg, Philip. Dangerous Words. New York, Columbia University Press, 1947.

A guide to the law of libel.

Woelfel, Norman. Radio Over U. S. A.: The Social, Artistic, and Educational Significance of Radio. Columbus, Ohio, Ohio State University, 1942.

Deals with radio's contribution to the national morale, the implications of such radio

series as "This Is War," and the need for an overall strategy in communications planning. See Rowland-Criteria for Children's Radio Programs.

Wolfe, Charles Hull. Modern Radio Advertising. New York, Funk & Wagnalls Co., 1949.

An authoritative account of radio advertising history with practical procedures for the agency representative and the radio advertiser. Second Edition, 1953.

With an analysis of television advertising, how to plan it, buy it, write it, and test it. Wolseley, Roland E. Interpreting the Church Through Press and Radio. Philadelphia, Pa., Muhlenberg Press,

1951.

A thorough analysis, from a journalistic approach, of the interpretation of the church through press and radio.

Radio Listening. 1946.

An aid for the radio listener to evaluate various types of programs with specifie suggestions for developing discrimination.

Can Radio Listening Be Taught? 1951.

A summary of reports by teachers concerning their experiences in guiding their young students to become discriminate listeners.

Women in Radio. Washington, U. S. Government Printing Office, 1947. (Women's Bureau-Bulletin 222, U. S. Department of Labor.)

Biographical sketches illustrate what some women have been able to achieve in radio. Wylie, Max. Clear Channels. New York, Funk & Wagnalls Co., 1955.

An attempt to appraise television and its relation to American life, based on the writer's declared background of two decades as a radiotelevision writer, an advertising executive, and a college teacher.

Abbot, Waldo. Handbook of Broadcasting. New York, McGraw-Hill Book Co., Inc., 1941.

A second edition of the author's guidebook. Suitable for those in the radio profession and for students. Includes various phases of broadcasting.

Handbook of Broadcasting, 3rd Ed., New York, McGraw-Hill Book Co., Inc., 1950.

A revision and expansion of one of the most widely accepted texts on radio, television, and facsimile, reflecting the instructive viewpoint of the teacher and the professional experience of the station manager.

Adams, Charles. Producing and Directing for Television. New York, Henry Holt & Co., 1953.

A guide to all phases of television, the sta tion, its facilities and personnel, its equip ment, as well as the techniques of producing and directing programs.

Allan, Douglas, How To Write for Television. New York, E. P. Dutton & Co., 1946.

Designed to show opportunities in television for the skilled writer. Considers different types of programs and how to build them effectively. Also contains sample scripts and glossary.

Andersson, D. M. See Dimond-Radio and Television Workshop Manual. Barnouw, Erik. Handbook of Radio Writing. Boston, Little, Brown & Co., 1939.

Gives directions for radio writing. Contains excerpts from scripts as well as information about the business aspects of script writing.

Handbook of Radio Writing. Boston, Little, Brown & Co., 1947. Concise, authoritative information for both professional and student radio writers. A revision of first edition. New book includes material on sound effects, narration, and

music, as well as a section on mechanics of marketing manuscripts.

Handbook of Radio Production. Boston, Little, Brown & Co., 1949.

A detailed description and analysis of each element of program production, with sample script to illustrate producer's direction. Battison, John H. Movies for TV. New York, The Macmillan Co., 1950.

A comprehensive guide to the techniques and uses of motion picture films on television; equipment and its operation, program planning and production, color films and color TV, editing, splicing, and production of commercials.

Bender, James F., comp. NBC Handbook of Pronunciation. New York, Thomas Y. Crowell Co., 1943.

This book has evolved from the exacting needs of the National Broadcasting Company for a book which their announcers could use as a guide to correct standard pronunciation.

NBC Handbook of Pronunciation. New York, Thomas Y. Crowell Co., 1951.

A second edition of above described dietionary with more than 15,285 entries. Bettinger, Hoyland. Television Techniques. New York, Harper & Bros. 1947.

A guide to good showmanship in television practice, covering every aspect of television production. Line drawings are used to illustrate the means and methods discussed.

Bird, George L. Article Writing and Marketing. New York, Rinehart & Co., Inc., 1948.

A text giving detailed analysis and instruction on problems of making an inventory of available material, discovering markets, etc. Borchers, Gladys L., and Wise, Claude M. Modern Speech. New York. Harcourt, Brace & Co., 1947.

A basic textbook in fundamentals of speech with a special chapter devoted to radio.

Braun, Everett C. Let's

Broadcast. Minneapolis, Minn., The Northwestern Press, 1948.

A textbook on the use of radio broadcasting as an educational tool in the secondary schools. Bretz, Rudy. Techniques of Television Production. New York, McGraw-Hill Book Co., Inc., 1953.

A thoroughly practical guide, including descriptions of equipment and materials for use in producing television programs as written by an experienced producer and teacher.

and Stasheff, Edward. Television Scripts. New York A. A. Wyn, Inc., 1951.

Scripts for staging and study, covering virtually every type of television script currently presented. Designed specifically for the student director and producer.

The Television Program. Bee Stasheff.

Brooks, William F. Radio News Writing. New York, McGraw-Hill Book Co., 1948.

A textbook on writing news for radio designed especially as a guide for beginners. Includes examples of special techniques needed to convert press dispatches to news on the air. Appendix includes news round-ups and samples of commentaries by well-known news

men.

Brown, Donald E., and Jones, John Paul. Radio and Television News. New York, Rinehart and Co., Inc., 1954.

A classroom exercise textbook, containing 15 units, each with an introduction written by an expert in the field, and followed by practical exercise materials.

Cameron, James R. Television for Beginners: Theater Television. Coral Gables, Fla., Cameron Publishing Co., 1947.

A nontechnical study of television, including a short chapter on color television, and a glossary of terms.

Campbell, Laurence R.; Heath, Harry E. Jr.; and Johnson, Ray V. A Guide to Radio-TV Writing. Ames, Ia., Iowa State College Press, 1950.

A workbook-syllabus for teachers, students, and professional workers interested in news, specialized information, continuity writing, and surveys.

and Wolseley, Roland E. Newsmen at Work. Cambridge, Mass., The Riverside Press, 1949.

A textbook for those wishing to gather and write news for any medium of mass communication.

Carlisle, John S. Production and Direc tion of Radio Programs. New York, Prentice-Hall, Inc., 1939.

The book is comprehensive and authoritative. Parts of it are a little advanced for beginners.

Charnley, Mitchell V. News By Radio. New York, The Macmillan Co., 1948.

A text in which are described the special practices, principles, and characteristics of radio news and an evaluation of them in the light of their effectiveness or their failure. Chase, Gilbert. Music in Radio Broadcasting. New York, McGraw-Hill Book Co., 1946.

A collection of articles on the planning, production, and broadcasting of musical programs.

Chester, Giraud and Garrison, Garnet R. Radio and Television-An Introduction. New York, Appleton-CenturyCrofts, 1950.

A comprehensive textbook based on the practical experience of the authors in teaching college radio courses, research in radio, and professional broadcasting.

Colodzin, Robert S. See KaufmanYour Career in Television.

Columbia Broadcasting System. Radio Alphabet: A Glossary of Radio Terms. New York, Hastings House, 1946.

A list of radio and television terms and a few pages of sign language.

Cott, Ted. How To Audition for Radio. New York, Greenberg Publishers, Inc., 1946.

A handbook for actors, as well as a workbook for students. Includes detailed explanations of audition procedure, language of radio, and actual scripts.

Cowgill, Rome. Fundamentals of Writing for Radio. New York, Rhinehart & Co., Inc., 1949.

An intensive text stressing the importance of a sound understanding of the broadcasting medium in learning to write for radio. Contains abundance of illustrative material for guidance in writing, program planning, production, and marketing.

See Kingson-Broadcasting Television and Radio and Radio Drama Acting and Production.

See Krulevitch-Radio Drama Production.

Creamer, Joseph, and Hoffman, William B. Radio Sound Effects. New York, Ziff-Davis Publishing Co., 1945.

General nature of sound effects, control room signals, and a glossary of radio terms. Crews, Albert. Radio Production Directing. New York, Houghton Mifflin Co., 1944.

The first textbook in a series resulting from the Summer Radio Institutes launched cooperatively in 1941 by Northwestern University and the National Broadcasting Company. Written as a guide for professional training for careers in radio broadcasting.

Professional Radio Writing. New York, Houghton Mifflin Co., 1946.

An analysis of radio writing for all types of markets and listeners. A glossary of terms and assignments for student practice are included.

Dimond, S. A, and Andersson, D. M. Radio and Television Workshop Manual. New York, Prentice-Hall, Inc., 1952.

A practical guide to creative radio and television production, with emphasis on the more simplified types of programing for the small station.

-See Gould-Training the Local Announcer.

Duerr, Edwin. Radio and Television Acting. New York, Rinehart & Co., Inc., 1950.

A general critique on acting as a profession with procedures for the studio mechanics of acting before a microphone or performing before cameras.

Ewbank, H. L., and Lawton, Sherman P. Broadcasting: Radio and Television. New York, Harper & Bros., 1952.

A basic text well adapted for teaching about radio and television, from background and history through specifics for preparing and producing programs.

Faulkner, Nancy. Reckoning With Radio. New York Assoc. of Jr. Leagues of America, 1949.

A gudie for the production and promotion of radio programs by local organizations. Intended primarily as guide for League members, but offers practical suggestions for others.

French, Florence F., Levenson, William B., and Rockwell, Vera C. Radio English. New York, McGraw-Hill Book Co., Inc., 1952.

A high-school and junior college text for radio English and radio workshop groups. Deals with various aspects of programing and includes a play for radio production. Part V deals with television programing.

Funt, Allen. Eavesdropper at Large. New York, Vanguard Press, 1952.

A behind-the-scenes account of the author's experiences in dealing with human nature while producing the "Candid Camera" television and "Candid Mike" radio series on the air.

Garrison, Garnet R. See Chester-Radio and Television-An Introduction. Gould, S. B., and Dimond, S. A. Training the Local Announcer. New York, Longmans, Green & Co., Inc., 1950.

A practical text pointing up the every day problems of the local announcer and his place in the daily operation of a station. Exercise material covering wide range of announcer's duties also included.

Green, Robert S. Television Writing. New York, Harper and Brothers, 1952. A detailed guide to the new techniques of writing for television based on extensive research as well as on the author's experience as a radio writer. Contains many script samples with analyses of each.

Greet, W. Cabell. World Words: Rec ommended Pronunciations. New York, Columbia University Press, 1944.

Gives pronunciations for about 10,000 names and words in various languages.

Man

and Shallet, Marguerite. ual of Foreign Dialects. New York, Ziff-Davis Publishing Co., 1943.

This manual contains 30 of the principal foreign dialects of the various national groups, with characteristic studies, speech peculiaritles, and examples of the dialects in easily rendered phonetic monologs.

Manual of American Dialects for Radio, Stage, Screen, and Television. Chicago, Ziff-Davis Publishing Co., 1947.

An authentic source for the dialect enthusiast. Contains 30 foreign dialects with character studies, speech peculiarities, and examples of phonetic monologs.

Hodapp, William. Television Manual, The. New York, Farrar, Straus & Young, Inc., 1953.

A guide to TV production and programing for education, public affairs, and entertainExplains many of the elements of

ment.

program formats and sources. Has chapters on writing for television films and on educational television operation.

Television Actor's Manual, The. New York, Appleton-Century-Crofts, 1955.

Extensive advice to the television actor, including job opportunities, tips on casting, acting techniques, agent selection, and effective publicity promotion.

Hoffman, William B. See CreamerRadio Sound Effects.

Hoffman, William G., and Rogers, Ralph L. Effective Radio Speaking. New York, McGraw-Hill Book Co., 1944.

Under the headings psychology, strategy, organization, language, writing, and reading of a radio speech, practical pointers are given to help overcome mike fright and add color and interest in the delivery of an effective radio speech.

Hotaling, Burton L. A Manual of Radio News Writing. Milwaukee, Wis., The Milwaukee Journal, 1947.

Discusses various types of radio news from writing to editing.

Hubbell, Richard W. Television Programing and Production. New York, Murray Hill Books, Inc., 1945.

An introduction to the art of television, picking up where author left off in his previous book. Provides fundamentals for techniques in television program production.

Television Programing and Production, 2d Ed. New York, Rinehart & Co., Inc., 1950.

A revision in which the basic theories advanced in the First Edition are confirmed and brought up to date.

Hutchinson, Thomas H. Here Is Television-Your Window to the World. New York, Hastings House, 1946.

A comprehensive account of television as it exists today, with a forecast of developments to be expected. Revised 1948. Completely revised 1950.

Inman, Elinor. See Parker-Religious Radio: What To Do and How.

Is Your Hat In the Ring? Washington, D. C., The National Association of Radio and Television Broadcasters, 1952.

A pamphlet written for the public speaker.