Interrogating Postfeminism: Gender and the Politics of Popular CultureYvonne Tasker, Diane Negra Duke University Press, 2007 M11 2 - 344 pages This timely collection brings feminist critique to bear on contemporary postfeminist mass media culture, analyzing phenomena ranging from action films featuring violent heroines to the “girling” of aging women in productions such as the movie Something’s Gotta Give and the British television series 10 Years Younger. Broadly defined, “postfeminism” encompasses a set of assumptions that feminism has accomplished its goals and is now a thing of the past. It presumes that women are unsatisfied with their (taken for granted) legal and social equality and can find fulfillment only through practices of transformation and empowerment. Postfeminism is defined by class, age, and racial exclusions; it is youth-obsessed and white and middle-class by default. Anchored in consumption as a strategy and leisure as a site for the production of the self, postfeminist mass media assumes that the pleasures and lifestyles with which it is associated are somehow universally shared and, perhaps more significantly, universally accessible. Essays by feminist film, media, and literature scholars based in the United States and United Kingdom provide an array of perspectives on the social and political implications of postfeminism. Examining magazines, mainstream and independent cinema, popular music, and broadcast genres from primetime drama to reality television, contributors consider how postfeminism informs self-fashioning through makeovers and cosmetic surgery, the “metrosexual” male, the “black chick flick,” and more. Interrogating Postfeminism demonstrates not only the viability of, but also the necessity for, a powerful feminist critique of contemporary popular culture. Contributors. Sarah Banet-Weiser, Steven Cohan, Lisa Coulthard, Anna Feigenbaum, Suzanne Leonard, Angela McRobbie, Diane Negra, Sarah Projansky, Martin Roberts, Hannah E. Sanders, Kimberly Springer, Yvonne Tasker, Sadie Wearing |
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... American configurations of popular feminism as postfeminism . In this way , we hope to address questions of cultural dissonance when an American " we " is presumed to be general - in other words , the inward - looking features of American ...
... American Association of University Women ( AAUW ) titled How Schools Shortchange Girls . Focusing particularly on girls and sports in the post - cold - war 1990s , C. L. Cole analyzes the televisual flow between an episode of Buffy the ...
... American sitcom The Cosby Show , a hit in the 1980s under the guidance of Bill Cosby and featuring an all African American cast , represents a culturally and politically significant moment in television representations of race . In fact ...
Contents
Some Reflections | 40 |
The Magic of Postfeminist | 73 |
Adultery Boredom and the Working Girl | 100 |
Copyright | |
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