Adaptations of Shakespeare: An Anthology of Plays from the 17th Century to the PresentDaniel Fischlin, Mark Fortier Routledge, 2014 M05 1 - 328 pages Shakespeare's plays have been adapted or rewritten in various, often surprising, ways since the seventeenth century. This groundbreaking anthology brings together twelve theatrical adaptations of Shakespeares work from around the world and across the centuries. The plays include The Woman's Prize or the Tamer Tamed John Fletcher The History of King Lear Nahum Tate King Stephen: A Fragment of a Tragedy John Keats The Public (El P(blico) Federico Garcia Lorca The Resistible Rise of Arturo Ui Bertolt Brecht uMabatha Welcome Msomi Measure for Measure Charles Marowitz Hamletmachine Heiner Müller Lears Daughters The Womens Theatre Group & Elaine Feinstein Desdemona: A Play About a Handkerchief Paula Vogel This Islands Mine Philip Osment Harlem Duet Djanet Sears Each play is introduced by a concise, informative introduction with suggestions for further reading. The collection is prefaced by a detailed General Introduction, which offers an invaluable examination of issues related to |
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Page 24
... man's world; in order to win they must assume their equality and fight force with force. As they see their cause ... man who took some interest and pleasure in watching a fight between well-matched opponents' (53). At any rate, The ...
... man's world; in order to win they must assume their equality and fight force with force. As they see their cause ... man who took some interest and pleasure in watching a fight between well-matched opponents' (53). At any rate, The ...
Page 27
... man shall make use of me; My beauty was born free, and free I'll give it To him that loves, not buys me. You yet doubt me? ROWLAND I cannot say I doubt you. LIVIA Go thy ways; Thou art the prettiest puling ... man's. 27 THE WOMAN'S PRIZE.
... man shall make use of me; My beauty was born free, and free I'll give it To him that loves, not buys me. You yet doubt me? ROWLAND I cannot say I doubt you. LIVIA Go thy ways; Thou art the prettiest puling ... man's. 27 THE WOMAN'S PRIZE.
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... man's love – BIANCA That loves the young man. MARIA Ay, and hold thee there, wench! What a grief of heart is't, When Paphos' revels should up-rouse old Night, To sweat against a cork, to lie and tell The clock o' th' lungs, to rise ...
... man's love – BIANCA That loves the young man. MARIA Ay, and hold thee there, wench! What a grief of heart is't, When Paphos' revels should up-rouse old Night, To sweat against a cork, to lie and tell The clock o' th' lungs, to rise ...
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Contents
1 | |
23 | |
The History of King Lear | 66 |
A Dramatic Fragment | 97 |
The Public El público | 103 |
The Resistible Rise of Arturo Ui | 125 |
uMabatha | 164 |
Measure for Measure | 188 |
Hamletmachine | 208 |
Lears Daughters | 215 |
A Play About a Handkerchief | 233 |
This Islands Mine | 255 |
Harlem Duet | 285 |
Further Adaptations | 318 |
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Common terms and phrases
adaptation AMAH ANGELO Arturo BASTARD BHANGANE BIANCA BILLIE blood Brecht CANADA Cauliflower Cauliflower Trust CHARACTER IN BELLS CHARACTER IN VINE CLARK CLAUDIO CORDELIA cultural DEBBIE DESDEMONA DIRECTOR Djanet Sears DOGSBOROUGH door DUKE DULLFEET EDGAR EMILIA Enter ESCALUS Exeunt Exit eyes father FOOL friends GIRI give GIVOLA GLOSTER GONERIL Hamletmachine hand Harlem He’s hear Heaven Heiner Müller HOSHWENI ISABELLA JAQUES JODY Juliet KAMADONSELA KENT Khondo King King Lear kiss lady LEAR leave LIVIA look Lord LUCIO LUKE m’lady MABATHA MAFUDU MAGI MAKHIWANE man’s MARIA MARIANNE Marowitz MARTIN Mbathazeli Mdangazeli MISS ROSENBLUM MOROSO MURDERER NANNY never night NURSE O’CASEY OTHELLO Paula Vogel PEDRO PETRONIUS PETRUCHIO PROVOST REGAN ROMA ROWLAND SANGOMA Scene SELWYN Shakespeare Sheet SOPHOCLES speak stage STEPHEN tell theatre theatrical thee There’s thing thou TRANIO What’s WHITE HORSE who’s woman women you’re