Music Theory: Problems and Practices in the Middle Ages and Renaissance. WorkbookU of Minnesota Press, 1977 M01 1 - 267 pages |
From inside the book
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Page ix
... periods , even at opposite ends of the time spectrum ( comparisons between the Middle Ages and the twentieth century are more and more frequently employed and can be re- markable in their clarity ) , flexibility should be cultivated in ...
... periods , even at opposite ends of the time spectrum ( comparisons between the Middle Ages and the twentieth century are more and more frequently employed and can be re- markable in their clarity ) , flexibility should be cultivated in ...
Page 3
... period — the present . It is possible to trace in the Middle Ages an evolution from ambiguity to increas- ing clarity in the development and use of symbols . The reverse can be shown to be true in the notational problems and experiments ...
... period — the present . It is possible to trace in the Middle Ages an evolution from ambiguity to increas- ing clarity in the development and use of symbols . The reverse can be shown to be true in the notational problems and experiments ...
Page 4
... period and that increasingly shorter periods of time were needed to solve no- tational problems after graphic forms had been developed for the basic delin- eation of pitch and time . The three forms of notation are discussed here to ...
... period and that increasingly shorter periods of time were needed to solve no- tational problems after graphic forms had been developed for the basic delin- eation of pitch and time . The three forms of notation are discussed here to ...
Page 5
... period of time and through usage , they were classified into four different categories based on complexity and function . A few of the more common neumes are shown with their Solesmes interpretations in Table 1.1 . The shapes of the ...
... period of time and through usage , they were classified into four different categories based on complexity and function . A few of the more common neumes are shown with their Solesmes interpretations in Table 1.1 . The shapes of the ...
Page 6
... period — an excel- lent means of developing sensitivity to the sacred music of the Middle Ages . Reference was made to rhythmic symbols . It should be understood that no means were available to specifically delineate time values in ...
... period — an excel- lent means of developing sensitivity to the sacred music of the Middle Ages . Reference was made to rhythmic symbols . It should be understood that no means were available to specifically delineate time values in ...
Other editions - View all
Workbook/anthology for Music Theory: Problems and Practices in the Middle ... Lloyd Ultan No preview available - 1977 |
Common terms and phrases
Agnus alto appear ascending ballade basic bass beat beginning breve cadence cadential canon cantus firmus chanson Chapter chord composers compositional conductus contrapuntal counterpoint descending discussion dissonant Dufay earlier edition of Desclee employed face ay pale fifth final followed fourteenth century fourth Franconian Gloria half note harmonic hocket imitation imperfect interpretation interval isorhythmic Kyrie section leading-tone Liber Usualis ligature linear literature longa lower voice Machaut madrigal Mass measures melismatic melodic meter Middle Ages Missa Pange Lingua modal notation monophonic motet motion neumes octave organum Palestrina passage pattern perfect consonances period phrase piece pitch plainsong plica polyphonic possible practice principal prolation quarter notes relationships Reprinted with permission rhythm rhythmic modes sacred Sanctus secular music semibreve shown in Example skip soprano step style syllable syncopation taleae technique tenor texture tion tone Tournai-Doornik treatment triads unison upper voice vertical virelai vox principalis Willi Apel
Popular passages
Page 250 - Et incarnatus est de Spiritu Sancto ex Maria Virgine; et homo factus est. Crucifixus etiam pro nobis: sub Pontio Pilato passus, et sepultus est. Et resurrexit tertia die, secundum Scripturas.
Page 250 - God of God, Light of Light, Very God of very God, Begotten, not made, Being of one substance with the Father ; By whom all things were made : Who for us men, and for our salvation came down from heaven, And was incarnate by the Holy Ghost of the Virgin Mary, And was made man...
Page 250 - We look for the resurrection of the dead, And the life of the world to come. Amen.
Page 250 - And in the Holy Ghost the Lord and Giver of life, who proceedeth from the Father and the Son ; who together with the Father and the Son is adored and glorified ; who spoke by the prophets : — and one holy, catholic and apostolic church.
Page 250 - On the third day he rose again in fulfillment of the Scriptures; he ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead.
Page 250 - Agnus Dei, qui tollis peccata mundi; miserere nobis. Agnus Dei, qui tollis peccata mundi; miserere nobis. Agnus Dei, qui tollis peccata mundi; dona nobis pacem.
Page 250 - Et in Spiritum Sanctum, Dominum, et vivificantem: qui ex Patre Filioque procedit. Qui cum Patre et Filio simul adoratur, et conglorificatur: qui locutus est per Prophetas. Et unam sanctam catholicam et apostolicam Ecclesiam. Confiteor unum baptisma in remissionem peccatorum. Et exspecto resurrectionem mortuorum. Et vitam venturi saeculi. Amen.
Page 250 - Sanctus, Sanctus, Sanctus Dominus Deus Sabaoth. Pleni sunt coeli et terra gloria tua. Hosanna in excelsis. Benedictus qui venit in nomine Domini. Hosanna in excelsis.
Page 250 - Holy, holy, holy, Lord God of Sabaoth. Heaven and earth are full of Thy glory. Hosanna in the highest.
Page 250 - Patris; et iterum venturus est cum gloria judicare vivos et mortuos; cujus regni non erit finis. Et in Spiritum Sanctum, Dominum et vivificantem ; qui ex Patre Filioque procedit, qui cum Patre et Filio simul adoratur et conglorificatur, qui locutus est per Prophetas. Et unam, sanctam, catholicam, et apostolicam Ecclesiam. Confiteor unum Baptisma in remissionem peccatorum. Et expecto resurrectionem mortuorum ; et vitam venturi saeculi. Amen.
References to this book
The Goodly Spellbook: Olde Spells for Modern Problems Dixie Deerman,Steve Rasmussen Limited preview - 2008 |