Music Theory: Problems and Practices in the Middle Ages and Renaissance. WorkbookU of Minnesota Press, 1977 M01 1 - 267 pages |
From inside the book
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Page x
... University with whom I have worked and whose efforts in the development and refinement of this volume 1 have valued so very much . Edina , Minnesota September 8 , 1976 L. U. contents Preface Chapter 1 Notation . Part One . The x Preface.
... University with whom I have worked and whose efforts in the development and refinement of this volume 1 have valued so very much . Edina , Minnesota September 8 , 1976 L. U. contents Preface Chapter 1 Notation . Part One . The x Preface.
Page xi
... Chapter 1 Notation . Part One . The Middle Ages Plainsong notation vii 3 4 Rhythmic modal notation 5 Franconian notation 14 Summary 20 Chapter 2 Plainsong . 23 The ecclesiastical modes 25 Plainsong line 29 Placement of text 31 ...
... Chapter 1 Notation . Part One . The Middle Ages Plainsong notation vii 3 4 Rhythmic modal notation 5 Franconian notation 14 Summary 20 Chapter 2 Plainsong . 23 The ecclesiastical modes 25 Plainsong line 29 Placement of text 31 ...
Page xii
... Chapter 7 75 Stimmtausch 76 Canon 78 Summary 86 Late Contrapuntal Concepts and Devices Chromaticism ( Musica Ficta ) 89 Hocket 91 Isorhythm 91 Cadences 97 Summary 100 Chapter 8 Sacred Polyphonic Forms . Organum 103 Discant 104 Mixed 104 ...
... Chapter 7 75 Stimmtausch 76 Canon 78 Summary 86 Late Contrapuntal Concepts and Devices Chromaticism ( Musica Ficta ) 89 Hocket 91 Isorhythm 91 Cadences 97 Summary 100 Chapter 8 Sacred Polyphonic Forms . Organum 103 Discant 104 Mixed 104 ...
Page xiii
... Chapter 11 Transition 143 White mensural notation 144 Analytical considerations 144 Summary 148 Chapter 12 Early Fifteenth Century - Dufay Cantus firmus Mass : Se la face ay pale Phrase and motivic structure Chapter 13 Chapter 14 Rhythm ...
... Chapter 11 Transition 143 White mensural notation 144 Analytical considerations 144 Summary 148 Chapter 12 Early Fifteenth Century - Dufay Cantus firmus Mass : Se la face ay pale Phrase and motivic structure Chapter 13 Chapter 14 Rhythm ...
Page xiv
... Chapter 15 Sixteenth - Century Secular Forms . Chanson Madrigal 195 200 190 Compositional considerations 202 Other secular forms 205 Summary 206 195 Chapter 16 Palestrina : Part One . Contour of line and use of intervals 208 209 ...
... Chapter 15 Sixteenth - Century Secular Forms . Chanson Madrigal 195 200 190 Compositional considerations 202 Other secular forms 205 Summary 206 195 Chapter 16 Palestrina : Part One . Contour of line and use of intervals 208 209 ...
Other editions - View all
Workbook/anthology for Music Theory: Problems and Practices in the Middle ... Lloyd Ultan No preview available - 1977 |
Common terms and phrases
Agnus alto appear ascending ballade basic bass beat beginning breve cadence cadential canon cantus firmus chanson Chapter chord composers compositional conductus contrapuntal counterpoint descending discussion dissonant Dufay earlier edition of Desclee employed face ay pale fifth final followed fourteenth century fourth Franconian Gloria half note harmonic hocket imitation imperfect interpretation interval isorhythmic Kyrie section leading-tone Liber Usualis ligature linear literature longa lower voice Machaut madrigal Mass measures melismatic melodic meter Middle Ages Missa Pange Lingua modal notation monophonic motet motion neumes octave organum Palestrina passage pattern perfect consonances period phrase piece pitch plainsong plica polyphonic possible practice principal prolation quarter notes relationships Reprinted with permission rhythm rhythmic modes sacred Sanctus secular music semibreve shown in Example skip soprano step style syllable syncopation taleae technique tenor texture tion tone Tournai-Doornik treatment triads unison upper voice vertical virelai vox principalis Willi Apel
Popular passages
Page 250 - Et incarnatus est de Spiritu Sancto ex Maria Virgine; et homo factus est. Crucifixus etiam pro nobis: sub Pontio Pilato passus, et sepultus est. Et resurrexit tertia die, secundum Scripturas.
Page 250 - God of God, Light of Light, Very God of very God, Begotten, not made, Being of one substance with the Father ; By whom all things were made : Who for us men, and for our salvation came down from heaven, And was incarnate by the Holy Ghost of the Virgin Mary, And was made man...
Page 250 - We look for the resurrection of the dead, And the life of the world to come. Amen.
Page 250 - And in the Holy Ghost the Lord and Giver of life, who proceedeth from the Father and the Son ; who together with the Father and the Son is adored and glorified ; who spoke by the prophets : — and one holy, catholic and apostolic church.
Page 250 - On the third day he rose again in fulfillment of the Scriptures; he ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead.
Page 250 - Agnus Dei, qui tollis peccata mundi; miserere nobis. Agnus Dei, qui tollis peccata mundi; miserere nobis. Agnus Dei, qui tollis peccata mundi; dona nobis pacem.
Page 250 - Et in Spiritum Sanctum, Dominum, et vivificantem: qui ex Patre Filioque procedit. Qui cum Patre et Filio simul adoratur, et conglorificatur: qui locutus est per Prophetas. Et unam sanctam catholicam et apostolicam Ecclesiam. Confiteor unum baptisma in remissionem peccatorum. Et exspecto resurrectionem mortuorum. Et vitam venturi saeculi. Amen.
Page 250 - Sanctus, Sanctus, Sanctus Dominus Deus Sabaoth. Pleni sunt coeli et terra gloria tua. Hosanna in excelsis. Benedictus qui venit in nomine Domini. Hosanna in excelsis.
Page 250 - Holy, holy, holy, Lord God of Sabaoth. Heaven and earth are full of Thy glory. Hosanna in the highest.
Page 250 - Patris; et iterum venturus est cum gloria judicare vivos et mortuos; cujus regni non erit finis. Et in Spiritum Sanctum, Dominum et vivificantem ; qui ex Patre Filioque procedit, qui cum Patre et Filio simul adoratur et conglorificatur, qui locutus est per Prophetas. Et unam, sanctam, catholicam, et apostolicam Ecclesiam. Confiteor unum Baptisma in remissionem peccatorum. Et expecto resurrectionem mortuorum ; et vitam venturi saeculi. Amen.
References to this book
The Goodly Spellbook: Olde Spells for Modern Problems Dixie Deerman,Steve Rasmussen Limited preview - 2008 |