An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 pages |
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Page 50
... sight of vice and wickedness ? —— what desire ? For what is the principle of personal resentment implanted with- in us ? What is the origin of remorse ? What is its use ? What results from passion which has passed the proper limits ...
... sight of vice and wickedness ? —— what desire ? For what is the principle of personal resentment implanted with- in us ? What is the origin of remorse ? What is its use ? What results from passion which has passed the proper limits ...
Page 58
... sight ; we now proceed to consider them in relation to the fine arts , and in their figurative signification . The term beauty is also extended to intellectual and moral objects , as well as to objects of sight . Generosity is an ...
... sight ; we now proceed to consider them in relation to the fine arts , and in their figurative signification . The term beauty is also extended to intellectual and moral objects , as well as to objects of sight . Generosity is an ...
Page 59
... sight with its pleasant emotion . The same is equally remarkable in figurative grandeur and eleva- tion , because , as observed above , they are scarcely distinguishable . Objects of sight that are not remarkably great nor high , scarce ...
... sight with its pleasant emotion . The same is equally remarkable in figurative grandeur and eleva- tion , because , as observed above , they are scarcely distinguishable . Objects of sight that are not remarkably great nor high , scarce ...
Contents
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers