Revisions: Gender and Sexuality in Late ModernityThis volume brings together recent sociology of late modernity, particularly sociologies of reflexivity, aesthetics and detraditionalization, with a consideration of transformations of identity, especially transformations of gender and sexual identities. It does so in relation to questions of cultural economy; debates over the role and place of reflexivity in the social sciences; recent controversies over the significance of commodity aesthetics in regard to questions of identity; and debates on the significance of risk for the organization of contemporary sexualities. In so doing it puts forward a distinctive thesis, namely that within late modernity gender and sexuality are being reworked in terms of categories of reflexivity and risk. It shows that this reworking places increasing significance on issues of mobility and identity in late modernity. It therefore outlines the politics of mobility in regard to identity, suggesting that mobility is an important but often neglected source of power in late modernity. |
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Page 76
For example , it may be seen in Tasker's ( 1998 ) discussion of work narratives in 1980s and 1990s ' new ' Hollywood film , especially in her discussion of the significance of the theme of cross - dressing for these narratives .
For example , it may be seen in Tasker's ( 1998 ) discussion of work narratives in 1980s and 1990s ' new ' Hollywood film , especially in her discussion of the significance of the theme of cross - dressing for these narratives .
Page 77
Indeed , both films ' emphasise the need to crossdress for work ' ( Tasker 1998 : 33 , emphasis in original ) . What Tasker thus draws attention to is how these popular work narratives figure performances of femininity as forms of ...
Indeed , both films ' emphasise the need to crossdress for work ' ( Tasker 1998 : 33 , emphasis in original ) . What Tasker thus draws attention to is how these popular work narratives figure performances of femininity as forms of ...
Page 151
... 124 , 132 Nettleton , S. , 106 ' new ' Hollywood film , 76-7 Nicholson , L. , 21 Nixon , S. , 63 Ong , A. , 1 Pateman , C. , 71 , 134 Patton , C. , 110 , 112 , 120–1 Pellizzoni , L. , 36 performativity and class , 25-7 and economy ...
... 124 , 132 Nettleton , S. , 106 ' new ' Hollywood film , 76-7 Nicholson , L. , 21 Nixon , S. , 63 Ong , A. , 1 Pateman , C. , 71 , 134 Patton , C. , 110 , 112 , 120–1 Pellizzoni , L. , 36 performativity and class , 25-7 and economy ...
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Contents
new sociological directions and feminist sociological controversies | 13 |
reflexivity and mobility in social theory | 30 |
feminization mobility and cultural economy | 57 |
Copyright | |
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aesthetic aestheticization analysis appears argues arguments aspects associated assumed assumption attention Beck become body Bourdieu central chapter claims concern consider constituted consumer contemporary context cultural defined detraditionalization difference discussion economy emergence especially example Felski femininity feminist feminization fields flexible forms gender and sexuality grounds Hennessy heterosexual hierarchy highlight HIV testing idea identity important increasing increasingly individualization instance involves issue kind knowledge labour Lash Lash's late modernity limits linked logic Lupton masculinity matter McDowell McNay mean mobility modes Moreover moves notes notion organization particular performances politics positions possible post social structure practices processes queer question recent reflexive modernization thesis regard relation to gender responsibility risk seems self-reflexivity sexuality and gender shifts significance simply social research society sociology Specifically stance suggests techniques theory tion traditional transformation turn understanding understood women workers workplace