Masculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. Providing the first full-length study on this subject, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.
Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among "transgender dykes"--lesbians who pass as men--and female-to-male transsexuals who may find the label of "lesbian" a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.
Female Masculinity signals a new understanding of masculine behaviors and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.
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For example , gay male macho clones quite clearly exaggerate masculinity , and in them , masculinity tips into feminine performance . And the bad black gangsta rapper who bombastically proclaims his masculinity becomes a convenient ...
The anxiety that performance anxiety acts out , then , is not , as one might think , an anxiety about doing ; it is a neurotic fear of exposing the theatricality of masculinity . " “ Drag ” and “ performance ” have recently become key ...
Performance artist and occasional drag king Shelly Mars was a judge of some of the Hershe Bar contests . Mars also felt the contests were uninteresting : “ The first one was ridiculous- no one got dressed up to do drag .
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LibraryThing ReviewUser Review - amberluscious - LibraryThing
I learned quite a bit from this book, especially the distinction between androgyny and masculinity. These two presentations of being are not equal, and for me this was an important point in ... Read full review
Female masculinityUser Review - Not Available - Book Verdict
Halberstam (literature, Univ. of California, San Diego; Skin Shows: Gothic Horror and the Technology of Monsters, Duke Univ., 1995) presents a unique offering in queer studies: a study of the ... Read full review
The Androgyne the Tribade the Female
John Radclyffe Hall and the Discourse
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G-Strings and Sympathy: Strip Club Regulars and Male Desire
No preview available - 2002