Female MasculinityMasculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. Providing the first full-length study on this subject, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances. Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among "transgender dykes"--lesbians who pass as men--and female-to-male transsexuals who may find the label of "lesbian" a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators. Female Masculinity signals a new understanding of masculine behaviors and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders. |
From inside the book
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Page 89
... femininity to the imitation of queer female . ness and thereby renders cross -
gender expressions as wholly derivative . ... her letters , it lies in “ the profound
difference in her erotic desires ” rather than in an inverted expression of
masculinity .
... femininity to the imitation of queer female . ness and thereby renders cross -
gender expressions as wholly derivative . ... her letters , it lies in “ the profound
difference in her erotic desires ” rather than in an inverted expression of
masculinity .
Page 165
Fredd rejects such a rhetorical move and insists that his expression of his boy self
is not a transition but rather the expression of a self that he has always inhabited .
That Fredd is young and indeed preadolescent allows him to articulate his ...
Fredd rejects such a rhetorical move and insists that his expression of his boy self
is not a transition but rather the expression of a self that he has always inhabited .
That Fredd is young and indeed preadolescent allows him to articulate his ...
Page 263
Many drag kings in New York felt that drag gave them the chance to really play
with gender in a way that expressed a wide range of identities . Few of the Club
Casanova kings would identify themselves as butch offstage , and many talked ...
Many drag kings in New York felt that drag gave them the chance to really play
with gender in a way that expressed a wide range of identities . Few of the Club
Casanova kings would identify themselves as butch offstage , and many talked ...
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LibraryThing Review
User Review - amberluscious - LibraryThingI learned quite a bit from this book, especially the distinction between androgyny and masculinity. These two presentations of being are not equal, and for me this was an important point in ... Read full review
Female masculinity
User Review - Not Available - Book VerdictHalberstam (literature, Univ. of California, San Diego; Skin Shows: Gothic Horror and the Technology of Monsters, Duke Univ., 1995) presents a unique offering in queer studies: a study of the ... Read full review
Contents
Masculinity | 1 |
The Androgyne the Tribade the Female | 45 |
John Radclyffe Hall and the Discourse | 75 |
Copyright | |
5 other sections not shown
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Common terms and phrases
activity Anne appearance argue attempt become body butch-femme called camp century chapter claim clothing club communities complex construction contests course cross-dressing culture describes desire directed discourse discussions dominant drag king dyke effect emerge essay example expression feel female masculinity femininity feminist femme Figure film finally forms gender George girl give heterosexual identify identity images impersonation invert John kind lesbian lives look lover male masculine women mean misogyny Miss narrative nature never notion novel obviously particular passing performance play pleasure political position practices present Press produced queen queer question Radclyffe Hall relation representation represents role scene seems sense sexual simply social stone butch studies suggests tend theory tion tomboy transgender transsexual turn various woman women York
References to this book
G-Strings and Sympathy: Strip Club Regulars and Male Desire Katherine Frank No preview available - 2002 |