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bustle and shuffling of feet was then heard upon the stage accompanied by whispers of "Here's a pretty go!-what's to be done?" &c. The audience applauded again, by way of raising the spirits of the performers; and then Mr. Sempronius desired the prompter, in a very audible voice, to “clear the stage, and ring up."

Ting, ting, ting! went the bell again. Everybody sat down; the curtain shook; rose sufficiently high to display several pair of yellow boots paddling about; and there remained.

Ting, ting, ting! went the bell again. The curtain was violently convulsed, but rose no higher; the audience tittered; Mrs. Porter looked at Uncle Tom; Uncle Tom looked at everybody, rubbing his hands, and laughing with perfect rapture. After as much ringing with the little bell as a muffinboy would make in going down a tolerably long street, and a vast deal of whispering, hammering, and calling for nails and cord, the curtain at length rose, and discovered Mr. Sempronius Gattleton solus, and decked for Othello. After three distinct rounds of applause, during which Mr. Sempronius applied his right hand to his left breast, and bowed in the most approved manner, the manager advanced and said:

"Ladies and Gentlemen-I assure you it is with sincere regret, that I regret to be compelled to inform you, that Iago who was to have played Mr. Wilson-I beg your pardon, Ladies and Gentlemen, but I am naturally somewhat agitated (applause) I mean, Mr. Wilson, who was to have played Iago, is that is, has been-or, in other words, Ladies and Gentlemen, the fact is, that I have just received a note, in which I am informed that Iago is unavoidably detained at the Postoffice this evening. Under these circumstances, I trust—a— a-amateur performance-a-another gentleman undertaken to read the part-request indulgence for a short timecourtesy and kindness of a British audience." Overwhelming applause. Exit Mr. Sempronius Gattleton, and curtain falls.

The audience were, of course, exceedingly good-humored; the whole business was a joke; and accordingly they waited for an hour with the utmost patience, being enlivened by an interlude of rout-cakes and lemonade. It appeared by Mr. Sempronius's subsequent explanation, that the delay would not have been so great, had it not so happened that when the substitute Iago had finished dressing, and just as the play was on the point of commencing, the original Iago unex

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pectedly arrived. The former was therefore compelled to undress, and the latter to dress for his part; which, as he found some difficulty in getting into his clothes, occupied no inconsiderable time. At last, the tragedy began in real earnest. It went off well enough, until the third scene of the first act, in which Othello addresses the Senate: the only remarkable circumstance being, that as lago could not get on any of the stage boots, in consequence of his feet being violently swelled with the heat and excitement, he was under the necessity of playing the part in a pair of Wellingtons, which contrasted rather oddly with his richly embroidered pantaloons. When Othello started with his address to the Senate (whose dignity was represented by, the Duke, a carpenter, two men engaged on the recommendation of the gardener, and a boy), Mrs. Porter found the opportunity she so anxiously sought.

Mr. Sempronius proceeded:

"Most potent, grave and reverend signiors,

My very noble and approv'd good masters,
That I have ta'en away this old man's daughter,

It is most true;-rude am I in my speech

"Is that right?" whispered Mrs. Porter to Uncle Tom. "No."

"Tell him so, then."

"I will. Sem!" called out Uncle Tom, "that's wrong, my boy."

"What's wrong, Uncle?" demanded Othello, quite forgetting the dignity of his situation.

"You've left out something.

'True I have married

"Oh, ah!" said Mr. Sempronius, endeavoring to hide his confusion as much and as ineffectually as the audience attempted to conceal their half-suppressed tittering, by coughing with extraordinary violence

"true I have married her;

The very head and front of my offending
Hath this extent; no more."

(Aside) Why don't you prompt, father?"

"Because I've mislaid my spectacles," said poor Mr. Gattleton, almost dead with the heat and bustle.

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There, now it's 'rude am I,'" said Uncle Tom.

"Yes, I know it is," returned the unfortunate manager, proceeding with his part.

It would be useless and tiresome to quote the number of

instances in which Uncle Tom, now completely in his element, and instigated by the mischievous Mrs. Porter, corrected the mistakes of the performers; suffice it to say, that having mounted his hobby, nothing could induce him to dismount; so, during the whole remainder of the play, he performed a kind of running accompaniment, by muttering everybody's part as it was being delivered, in an under tone. The audience were highly amused, Mrs. Porter delighted, the performers embarrassed; Uncle Tom never was better pleased in all his life; and Uncle Tom's nephews and nieces had never, although the declared heirs to his large property, so heartily wished him gathered to his fathers as on that memorable occasion.

Several other minor causes, too, united to damp the ardor of the dramatis persona. None of the performers could walk in their tights, or move their arms in their jackets; the pantaloons were too small, the boots too large, and the swords of all shapes and sizes. Mr. Evans, naturally too tall for the scenery, wore a black velvet hat with immense white plumes, the glory of which was lost in "the flies;" and the only other inconvenience of which was, that when it was off his head he could not put it on, and when it was on he could not take it off. Notwithstanding all his practice, too, he fell with his head and shoulders as neatly through one of the side scenes, as a harlequin would jump through a panel in a Christmas pantomime. The pianoforte player, overpowered by the extreme heat of the room, fainted away at the commencement of the entertainment, leaving the music of "Masaniello" to the flute and violoncello. The orchestra complained that Mr. Harleigh put them out, and Mr. Harleigh declared that the orchestra prevented his singing a note. The fishermen, who were hired for the occasion, revolted to the very life, positively refusing to play without an increased allowance of spirits; and, their demand being complied with, getting drunk in the eruption scene as naturally as possible. The red fire, which was burnt at the conclusion of the second act, not only nearly suffocated the audience, but nearly set the house on fire into the bargain; and, as it was, the remainder of the piece was acted in a thick fog.

In short, the whole affair was, as Mrs. Joseph Porter triumphantly told everybody, "a complete failure." The audience went home at four o'clock in the morning, exhausted with laughter, suffering from severe headaches, and smelling

terribly of brimstone and gunpowder. The Messrs. Gattleton, senior and junior, retired to rest, with the vague idea of emigrating to Swan River early in the ensuing week.

Rose Villa has once again resumed its wonted appearance; the dining-room furniture has been replaced; the tables are as nicely polished as formerly: the horsehair chairs are ranged against the wall, as regularly as ever; Venetian blinds have been fitted to every window in the house to intercept the prying gaze of Mrs. Joseph Porter. The subject of theatricals is never mentioned in the Gattleton family, unless, indeed, by Uncle Tom, who cannot refrain from sometimes expressing his surprise and regret at finding that his nephews and nieces appear to have lost the relish they once possessed for the beauties of Shakspeare, and quotations from the works of that immortal bard.

CHAPTER X.

A PASSAGE IN THE LIFE OF MR. WATKINS TOTTLE.

CHAPTER THE FIRST.

MATRIMONY is proverbially a serious undertaking. Like an overweening predilection for brandy and water, it is a misfortune into which a man easily falls, and from which he finds it remarkably difficult to extricate himself. It is of no use telling a man who is timorous on these points, that it is but one plunge, and all is over. They say the same thing at the Old Bailey, and the unfortunate victims derive as much comfort from the assurance in the one case as in the other.

Mr. Watkins Tottle was a rather uncommon compound of strong uxorious inclinations, and an unparalleled degree of anti-connubial timidity. He was about fifty years of age; stood four feet six inches and three-quarters in his socks-for he never stood in stockings at all-plump, clean, and rosy. He looked something like a vignette to one of Richardson's novels, and had a clean-cravatish formality of manner, and kitchen-pokerness of carriage, which Sir Charles Grandi

son himself might have envied. He lived on an annuity, which was well adapted to the individual who received it, in one respect-it was rather small. He received it in periodical payments on every alternate Monday; but he ran himself out, about a day after the expiration of the first week, as regularly as an eight-day clock; and then, to make the comparison complete, his landlady wound him up, and he went on with a regular tick.

Mr. Watkins Tottle had long lived in the state of single blessedness, as bachelors say, or single cursedness, as spinsters think; but the idea of matrimony had never ceased to haunt him. Wrapt in profound reveries on this never-failing theme, fancy transformed his small parlor in Cecil-street, Strand, into a neat house in the suburbs; the half-hundredweight of coals under the kitchen-stairs suddenly sprang up into three tons of the best Walls-end; his small French bedstead was converted into a regular matrimonial four-poster; and in the empty chair on the opposite side of the fire-place, imagination seated a beautiful young lady with a very little independence or will of her own, and a very large independence under a will of her father's.

"Who's there?" inquired Mr. Watkins Tottle, as a gentle tap at his room door disturbed these meditations one evening.

"Tottle, my dear fellow, how do you do?" said a short elderly gentleman with a gruffish voice, bursting into the room, and replying to the question by asking another.

"Told you I should drop in some evening," said the short gentleman, as he delivered his hat into Tottle's hand, after a little struggling and dodging.

"Delighted to see you, I'm sure," said Mr. Watkins Tottle, wishing internally that his visitor had "dropped in" to the Thames at the bottom of the street, instead of dropping into his parlor. The fortnight was nearly up, and Watkins was hard up.

"How is Mrs. Gabriel Parsons? inquired Tottle.

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Quite well, thank you," replied Mr. Gabriel Parsons, for that was the name the short gentleman revelled in. Here there was a pause; the short gentleman looked at the left hob of the fireplace; Mr. Watkins Tottle stared vacancy out of

countenance.

"Quite well," repeated the short gentleman, when five minutes had expired. "I may say remarkably well." And

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