Law, Ethics, and the Visual ArtsSpringer Netherlands, 1998 M07 10 - 1032 pages What happens when the art world encounters the law and vice versa? This book describes these collisions with a critical eye through a combination of primary source materials, excerpts from professional and art journals, and extensive textual notes. Topics analysed include the fate of works of art in wartime, The international trade in stolen and illegally exported cultural property, artistic freedom, censorship and state support for art and artists, copyright, droit moral and droit de suite, The artist's professional life and death, collectors in the art market, income and estate taxation, charitable donations and works of art, and art museums and their collections. Law, Ethics, And The Visual Arts is unique in its description of the origins and development of major areas of art and practice; its analysis of international problems, applicable public and private international law, and different national approaches to similar problems; and its critical evaluation of the implications of laws, legal decisions, and art world practices. The authors are recognised experts in the field who have defined the canon in many aspects of art law. Art world professionals, including practising and academic lawyers, trusts and estate lawyers and others dealing with art as an asset, those in the art trade, art administrators, The museum trustees and staff, art historians, archaeologists, and art collectors will appreciate the unmatched features of Law, Ethics, And The Visual Arts and find it of great value in their work. |
From inside the book
Results 1-3 of 85
Page 259
... removed from the building without sub- stantial harm to such fine art , and in the course of or after removal , the owner intends to cause or allow the fine art to suffer physical defacement , mutila- tion , alteration , or destruction ...
... removed from the building without sub- stantial harm to such fine art , and in the course of or after removal , the owner intends to cause or allow the fine art to suffer physical defacement , mutila- tion , alteration , or destruction ...
Page 261
... removed from the real property without substantial physical defacement , mutilation , alteration , or destruction of the work , and is prepared to pay the cost of removal of the work , it may bring a legal action for a determination of ...
... removed from the real property without substantial physical defacement , mutilation , alteration , or destruction of the work , and is prepared to pay the cost of removal of the work , it may bring a legal action for a determination of ...
Page 660
... removed in 1922. For art that can be removed to a new location , the artist should make provision in the contract that he be consulted on the new site and approve it . The artist should also introduce a clause that would allow him to ...
... removed in 1922. For art that can be removed to a new location , the artist should make provision in the contract that he be consulted on the new site and approve it . The artist should also introduce a clause that would allow him to ...
Contents
Plunder Reparations and Destruction | 1 |
Cultural Reparations | 43 |
Destruction of Works of Art | 49 |
Copyright | |
40 other sections not shown
Common terms and phrases
action agreement alleged Amendment American appellants apply archaeological art dealer art market art world Article artifacts artist ARTnews artwork auction houses authenticity AUTHORS Calder California Chicago Picasso Christie's City claim collection collectors Commission Committee consignment constitute contract Convention copy created cultural objects cultural property Dali damages decision deduction defendants display district court droit de suite exhibition expression fact Federal gallery German Hindman Iconoclasm illegally exported important infringement interest issue Judge Koons Koven legislation Mark Rothko material ment monuments moral right mural Museum Native American Native Hawaiian O'Keeffe O'Keeffe's obscene Office opinion original owner ownership painting Parthenon parties person petitioner photograph plaintiff pre-Columbian prints protection purchase reason removed reproduction Rothko sculpture sell sold Sotheby's statute stolen summary judgment Teotihuacán Tilted Arc tion trial U.S.C. section United violation warranty York