Interrogating Postfeminism: Gender and the Politics of Popular CultureThis timely collection brings feminist critique to bear on contemporary postfeminist mass media culture, analyzing phenomena ranging from action films featuring violent heroines to the “girling” of aging women in productions such as the movie Something’s Gotta Give and the British television series 10 Years Younger. Broadly defined, “postfeminism” encompasses a set of assumptions that feminism has accomplished its goals and is now a thing of the past. It presumes that women are unsatisfied with their (taken for granted) legal and social equality and can find fulfillment only through practices of transformation and empowerment. Postfeminism is defined by class, age, and racial exclusions; it is youth-obsessed and white and middle-class by default. Anchored in consumption as a strategy and leisure as a site for the production of the self, postfeminist mass media assumes that the pleasures and lifestyles with which it is associated are somehow universally shared and, perhaps more significantly, universally accessible. Essays by feminist film, media, and literature scholars based in the United States and United Kingdom provide an array of perspectives on the social and political implications of postfeminism. Examining magazines, mainstream and independent cinema, popular music, and broadcast genres from primetime drama to reality television, contributors consider how postfeminism informs self-fashioning through makeovers and cosmetic surgery, the “metrosexual” male, the “black chick flick,” and more. Interrogating Postfeminism demonstrates not only the viability of, but also the necessity for, a powerful feminist critique of contemporary popular culture. Contributors. Sarah Banet-Weiser, Steven Cohan, Lisa Coulthard, Anna Feigenbaum, Suzanne Leonard, Angela McRobbie, Diane Negra, Sarah Projansky, Martin Roberts, Hannah E. Sanders, Kimberly Springer, Yvonne Tasker, Sadie Wearing |
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... and other work contexts results as much from the demands of a consumer - led capitalism ( for both new forms of labor and new forms of consumption ) as from a thoroughgoing response to the demands of feminist activism .
... and other work contexts results as much from the demands of a consumer - led capitalism ( for both new forms of labor and new forms of consumption ) as from a thoroughgoing response to the demands of feminist activism .
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This work is rendered more complex when we consider that contemporary popular culture is produced , in part at least , in response to feminism . That is , feminism forms an important part of contemporary culture , as Anna Feigenbaum ...
This work is rendered more complex when we consider that contemporary popular culture is produced , in part at least , in response to feminism . That is , feminism forms an important part of contemporary culture , as Anna Feigenbaum ...
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diverse feminist politics ( one that addresses class and race as emphatically as it does gender and generation ) in response to a postfeminist culture exemplified by the figure of the white , middle - class , heterosexual woman .
diverse feminist politics ( one that addresses class and race as emphatically as it does gender and generation ) in response to a postfeminist culture exemplified by the figure of the white , middle - class , heterosexual woman .
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In a somewhat earlier British context , several of the representational tropes identified by Springer with respect to Rice featured in responses to Margaret Thatcher , who was styled as sexless on the ...
In a somewhat earlier British context , several of the representational tropes identified by Springer with respect to Rice featured in responses to Margaret Thatcher , who was styled as sexless on the ...
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Bibliographic information
| Title | Interrogating Postfeminism: Gender and the Politics of Popular Culture Console-ing Passions Console-ing passions : television and cultural power |
| Editors | Yvonne Tasker, Diane Negra |
| Contributors | Yvonne Tasker, Diane Negra, Lynn Spigel, Angela McRobbie |
| Edition | illustrated |
| Publisher | Duke University Press, 2007 |
| ISBN | 0822340321, 9780822340324 |
| Length | 344 pages |
| Export Citation | BiBTeX EndNote RefMan |