Interrogating Postfeminism: Gender and the Politics of Popular Culture
This timely collection brings feminist critique to bear on contemporary postfeminist mass media culture, analyzing phenomena ranging from action films featuring violent heroines to the “girling” of aging women in productions such as the movie Something’s Gotta Give and the British television series 10 Years Younger. Broadly defined, “postfeminism” encompasses a set of assumptions that feminism has accomplished its goals and is now a thing of the past. It presumes that women are unsatisfied with their (taken for granted) legal and social equality and can find fulfillment only through practices of transformation and empowerment. Postfeminism is defined by class, age, and racial exclusions; it is youth-obsessed and white and middle-class by default. Anchored in consumption as a strategy and leisure as a site for the production of the self, postfeminist mass media assumes that the pleasures and lifestyles with which it is associated are somehow universally shared and, perhaps more significantly, universally accessible.
Essays by feminist film, media, and literature scholars based in the United States and United Kingdom provide an array of perspectives on the social and political implications of postfeminism. Examining magazines, mainstream and independent cinema, popular music, and broadcast genres from primetime drama to reality television, contributors consider how postfeminism informs self-fashioning through makeovers and cosmetic surgery, the “metrosexual” male, the “black chick flick,” and more. Interrogating Postfeminism demonstrates not only the viability of, but also the necessity for, a powerful feminist critique of contemporary popular culture.
Contributors. Sarah Banet-Weiser, Steven Cohan, Lisa Coulthard, Anna Feigenbaum, Suzanne Leonard, Angela McRobbie, Diane Negra, Sarah Projansky, Martin Roberts, Hannah E. Sanders, Kimberly Springer, Yvonne Tasker, Sadie Wearing
Results 1-5 of 58
It also seems important that we assert the material consequences of postfeminism in the academy . While McRobbie suggests that feminist work is now canonized within university curricula , we are more cautious in our optimism.o Indeed ...
That is , feminism forms an important part of contemporary culture , as Anna Feigenbaum shows here with respect to independent and industry - produced popular music . As such , it is no surprise to find evidence of feminism's presence ...
16 Such " aesthetic pluralism , " as she calls it , " represents a major ideological shift , " and it is important to consider postfeminism's taxonomizing functions in such demographically catalogued cultures .
... graduation concept for the magazine while wearing a bright pink ensemble and holding a pink balloon , she declares that she " wants to put life back into the magazine , " underscoring the importance of remembering " what's good .
In articulating rapid transformations , the makeover format works to suggest that " taste and lifestyle preference are much more important elements of identity than ethnicity , class , or regional ties could ever be .