Interrogating Postfeminism: Gender and the Politics of Popular CultureThis timely collection brings feminist critique to bear on contemporary postfeminist mass media culture, analyzing phenomena ranging from action films featuring violent heroines to the “girling” of aging women in productions such as the movie Something’s Gotta Give and the British television series 10 Years Younger. Broadly defined, “postfeminism” encompasses a set of assumptions that feminism has accomplished its goals and is now a thing of the past. It presumes that women are unsatisfied with their (taken for granted) legal and social equality and can find fulfillment only through practices of transformation and empowerment. Postfeminism is defined by class, age, and racial exclusions; it is youth-obsessed and white and middle-class by default. Anchored in consumption as a strategy and leisure as a site for the production of the self, postfeminist mass media assumes that the pleasures and lifestyles with which it is associated are somehow universally shared and, perhaps more significantly, universally accessible. Essays by feminist film, media, and literature scholars based in the United States and United Kingdom provide an array of perspectives on the social and political implications of postfeminism. Examining magazines, mainstream and independent cinema, popular music, and broadcast genres from primetime drama to reality television, contributors consider how postfeminism informs self-fashioning through makeovers and cosmetic surgery, the “metrosexual” male, the “black chick flick,” and more. Interrogating Postfeminism demonstrates not only the viability of, but also the necessity for, a powerful feminist critique of contemporary popular culture. Contributors. Sarah Banet-Weiser, Steven Cohan, Lisa Coulthard, Anna Feigenbaum, Suzanne Leonard, Angela McRobbie, Diane Negra, Sarah Projansky, Martin Roberts, Hannah E. Sanders, Kimberly Springer, Yvonne Tasker, Sadie Wearing |
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Page 7
The broad imposition of a politics of lifestyle , as Imelda Whelehan has noted , " leaves many victims in its wake -- those who don't conform to its preferred images and those who are too poor to exercise ' control over their lives ...
The broad imposition of a politics of lifestyle , as Imelda Whelehan has noted , " leaves many victims in its wake -- those who don't conform to its preferred images and those who are too poor to exercise ' control over their lives ...
Page 8
tion of black female stars as role models depends on a linkage between their physical prowess and their safe embodiment of acceptable images of blackness and femininity ( images that , as McPherson shows , often highlight a contrast ...
tion of black female stars as role models depends on a linkage between their physical prowess and their safe embodiment of acceptable images of blackness and femininity ( images that , as McPherson shows , often highlight a contrast ...
Page 11
As postfeminism has raised the premium on youthfulness , it has installed an image of feminism as " old " ( and by extension moribund ) . Interrogating Postfeminism speaks to an emerging body of work that names and analyzes postfeminism ...
As postfeminism has raised the premium on youthfulness , it has installed an image of feminism as " old " ( and by extension moribund ) . Interrogating Postfeminism speaks to an emerging body of work that names and analyzes postfeminism ...
Page 13
Marita Sturken and other critics have observed how a post - 9 / 11 climate has shifted the American image repertoire to emphasize " traditional working - class masculinity and wives holding down the home front .
Marita Sturken and other critics have observed how a post - 9 / 11 climate has shifted the American image repertoire to emphasize " traditional working - class masculinity and wives holding down the home front .
Page 21
The images and icons of postfeminism are compelling ; the women and girls who ( literally ) buy into this visual and narrational repertoire are not simply dupes . As an idiom , postfeminism popularizes ( as much as it caricatures ) a ...
The images and icons of postfeminism are compelling ; the women and girls who ( literally ) buy into this visual and narrational repertoire are not simply dupes . As an idiom , postfeminism popularizes ( as much as it caricatures ) a ...
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Bibliographic information
| Title | Interrogating Postfeminism: Gender and the Politics of Popular Culture Console-ing Passions Console-ing passions : television and cultural power |
| Editors | Yvonne Tasker, Diane Negra |
| Contributors | Yvonne Tasker, Diane Negra, Lynn Spigel, Angela McRobbie |
| Edition | illustrated |
| Publisher | Duke University Press, 2007 |
| ISBN | 0822340321, 9780822340324 |
| Length | 344 pages |
| Export Citation | BiBTeX EndNote RefMan |