Interrogating Postfeminism: Gender and the Politics of Popular Culture
This timely collection brings feminist critique to bear on contemporary postfeminist mass media culture, analyzing phenomena ranging from action films featuring violent heroines to the “girling” of aging women in productions such as the movie Something’s Gotta Give and the British television series 10 Years Younger. Broadly defined, “postfeminism” encompasses a set of assumptions that feminism has accomplished its goals and is now a thing of the past. It presumes that women are unsatisfied with their (taken for granted) legal and social equality and can find fulfillment only through practices of transformation and empowerment. Postfeminism is defined by class, age, and racial exclusions; it is youth-obsessed and white and middle-class by default. Anchored in consumption as a strategy and leisure as a site for the production of the self, postfeminist mass media assumes that the pleasures and lifestyles with which it is associated are somehow universally shared and, perhaps more significantly, universally accessible.
Essays by feminist film, media, and literature scholars based in the United States and United Kingdom provide an array of perspectives on the social and political implications of postfeminism. Examining magazines, mainstream and independent cinema, popular music, and broadcast genres from primetime drama to reality television, contributors consider how postfeminism informs self-fashioning through makeovers and cosmetic surgery, the “metrosexual” male, the “black chick flick,” and more. Interrogating Postfeminism demonstrates not only the viability of, but also the necessity for, a powerful feminist critique of contemporary popular culture.
Contributors. Sarah Banet-Weiser, Steven Cohan, Lisa Coulthard, Anna Feigenbaum, Suzanne Leonard, Angela McRobbie, Diane Negra, Sarah Projansky, Martin Roberts, Hannah E. Sanders, Kimberly Springer, Yvonne Tasker, Sadie Wearing
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All three posts involve an implicit understanding of history and historical change . Yet , as Bill Readings and Bennet Schaber suggest with respect to postmodernism , the posting of feminism means that feminism itself remains in the ...
Many of the contributors explore the relationship between feminism and postfeminism ( in terms of both the historical and political dimensions of this relationship ) . Thus , the volume expands the field of publications that have sought ...
... the latter , as Kimberly Springer notes elsewhere , of the history of black feminist movements.4 While the academy has admitted some forms of difference in forma way , other forms of difference seem more excluded than ever .
... them into ethical and spiritual ones " ( 24 ) 40. For a discussion of the retreatist strategies of a set of post - 9 / 11 romantic comedies , see Negra , " Structural Integrity , Historical Reversion 24 Yvonne Tasker and Diane Negra.
dies , see Negra , " Structural Integrity , Historical Reversion , and the Post - 9 / 11 Chick Flick . " 41. Brunsdon , " Lifestyling Britain . " 42. For an exploratory discussion of the specifics of British postfeminism , see Ashby ...