Interrogating Postfeminism: Gender and the Politics of Popular Culture
This timely collection brings feminist critique to bear on contemporary postfeminist mass media culture, analyzing phenomena ranging from action films featuring violent heroines to the “girling” of aging women in productions such as the movie Something’s Gotta Give and the British television series 10 Years Younger. Broadly defined, “postfeminism” encompasses a set of assumptions that feminism has accomplished its goals and is now a thing of the past. It presumes that women are unsatisfied with their (taken for granted) legal and social equality and can find fulfillment only through practices of transformation and empowerment. Postfeminism is defined by class, age, and racial exclusions; it is youth-obsessed and white and middle-class by default. Anchored in consumption as a strategy and leisure as a site for the production of the self, postfeminist mass media assumes that the pleasures and lifestyles with which it is associated are somehow universally shared and, perhaps more significantly, universally accessible.
Essays by feminist film, media, and literature scholars based in the United States and United Kingdom provide an array of perspectives on the social and political implications of postfeminism. Examining magazines, mainstream and independent cinema, popular music, and broadcast genres from primetime drama to reality television, contributors consider how postfeminism informs self-fashioning through makeovers and cosmetic surgery, the “metrosexual” male, the “black chick flick,” and more. Interrogating Postfeminism demonstrates not only the viability of, but also the necessity for, a powerful feminist critique of contemporary popular culture.
Contributors. Sarah Banet-Weiser, Steven Cohan, Lisa Coulthard, Anna Feigenbaum, Suzanne Leonard, Angela McRobbie, Diane Negra, Sarah Projansky, Martin Roberts, Hannah E. Sanders, Kimberly Springer, Yvonne Tasker, Sadie Wearing
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“ I Hate My Job , I Hate Everybody Here ” : Adultery , Boredom , and the “ Working Girl ” in Twenty - First - Century American Cinema Ιοο SUZANNE LEONARD 5. Remapping the Resonances of Riot Grrrl : Feminisms , Postfeminisms , and ...
Divas , Evil Black Bitches , and Bitter Black Women : African American Women in Postfeminist and Post - Civil Rights Popular Culture 249 KIMBERLY SPRINGER 11. Subjects of Rejuvenation : Aging in Postfeminist Culture 277 SADIE WEARING ...
It generates and draws strength , for instance , from a rhetorical field that produces buzzwords and slogans to express visions of energetic personal empowerment ( the borrowed African American idiom " You go , girl !
Such analysis of gendered and racial types is staged within a developing media context , one in which , as Herman Gray writes , commodified " representations of American blackness circulate widely via mass media and popular culture ...
Marita Sturken and other critics have observed how a post - 9 / 11 climate has shifted the American image repertoire to emphasize " traditional working - class masculinity and wives holding down the home front .