Poetics of Music in the Form of Six LessonsVintage Books, 1956 - 146 pages |
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Page 85
... True , it is said that one must live in one's own time . The advice is superfluous : how could one do otherwise ? Even if I wanted to relive the past , the most energetic strivings of my mis- guided will would be futile . It follows ...
... True , it is said that one must live in one's own time . The advice is superfluous : how could one do otherwise ? Even if I wanted to relive the past , the most energetic strivings of my mis- guided will would be futile . It follows ...
Page 93
... true music - lover , like the true patron , does not fit into these categories ; but like every authentic thing of worth , both are rare . The false patron is ordinarily recruited from the rank of the snobs , just as the old - fashioned ...
... true music - lover , like the true patron , does not fit into these categories ; but like every authentic thing of worth , both are rare . The false patron is ordinarily recruited from the rank of the snobs , just as the old - fashioned ...
Page 117
... true musical culture . The same holds true for those amateur groups of all sorts that form orchestras , choruses , and popular ensembles which are always cited as an argument to prove the development of the artistic powers of the ...
... true musical culture . The same holds true for those amateur groups of all sorts that form orchestras , choruses , and popular ensembles which are always cited as an argument to prove the development of the artistic powers of the ...
Contents
GETTING ACQUAINTED | 3 |
THE PHENOMENON OF MUSIC | 23 |
THE COMPOSITION OF MUSIC | 47 |
Copyright | |
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Common terms and phrases
1817 LIBRARIES academicism aesthetic appeared artist atheism beautiful become Beethoven betray called Communist completely composer composer's composition concepts conductor confused course creation creator critics DARIUS MILHAUD diatonic disorder dissonance dogmatic elements epoch Eugene Onegin example expression fact feel folklore freedom G. K. Chesterton give Glinka Gounod hand Haydn hear ideas imagination imposes invention Italian Johann Sebastian Bach judge lack language less lesson listener Marxism matter meaning melody ment MICHIGAN mind modern Mounet-Sully Mozart musical culture musician necessity never opera orchestra origin performance person phenomenon of music pleasure pompier present presupposes preter principle problem question realm reason revolution revolutionary rhythm Rimsky-Korsakov Rite of Spring romanticism Russian music seek sense Slavophiles snobs song sort sound Soviet music speak speculation spirit style Symphony Tannhäuser taste Tchaikovsky tendencies term things tion tonality tones tradition true truth understand UNIV Verdi Wagner word