Poetics of Music in the Form of Six LessonsVintage Books, 1956 - 146 pages |
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Page 5
... dogmatic confidences . I am fully aware that the words dogma and dogmatic 5 1. GETTING ACQUAINTED THE AVATARS OF RUSSIAN MUSIC.
... dogmatic confidences . I am fully aware that the words dogma and dogmatic 5 1. GETTING ACQUAINTED THE AVATARS OF RUSSIAN MUSIC.
Page 6
... dogmatic element in any field of activity in which it becomes categorical and truly essential . In fact , we cannot observe the creative phe- nomenon independently of the form in which it is made manifest . Every formal process proceeds ...
... dogmatic element in any field of activity in which it becomes categorical and truly essential . In fact , we cannot observe the creative phe- nomenon independently of the form in which it is made manifest . Every formal process proceeds ...
Page 7
... dogmatism : it also incites us to place our own creative activity under the aegis of dogmatism . That is why I should like to see you accept the term . Throughout my course and on every hand I shall call upon your feeling and your taste ...
... dogmatism : it also incites us to place our own creative activity under the aegis of dogmatism . That is why I should like to see you accept the term . Throughout my course and on every hand I shall call upon your feeling and your taste ...
Contents
GETTING ACQUAINTED | 3 |
THE PHENOMENON OF MUSIC | 23 |
THE COMPOSITION OF MUSIC | 47 |
Copyright | |
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Common terms and phrases
1817 LIBRARIES academicism aesthetic appeared artist atheism beautiful become Beethoven betray called Communist completely composer composer's composition concepts conductor confused course creation creator critics DARIUS MILHAUD diatonic disorder dissonance dogmatic elements epoch Eugene Onegin example expression fact feel folklore freedom G. K. Chesterton give Glinka Gounod hand Haydn hear ideas imagination imposes invention Italian Johann Sebastian Bach judge lack language less lesson listener Marxism matter meaning melody ment MICHIGAN mind modern Mounet-Sully Mozart musical culture musician necessity never opera orchestra origin performance person phenomenon of music pleasure pompier present presupposes preter principle problem question realm reason revolution revolutionary rhythm Rimsky-Korsakov Rite of Spring romanticism Russian music seek sense Slavophiles snobs song sort sound Soviet music speak speculation spirit style Symphony Tannhäuser taste Tchaikovsky tendencies term things tion tonality tones tradition true truth understand UNIV Verdi Wagner word