Poetics of Music in the Form of Six Lessons

academicism aesthetic appeared artist atheism beautiful become Beethoven betray called Communist completely composer composer's composition concepts conductor confused course creation creative process creator critics DARIUS MILHAUD diatonic disorder dissonance dogmatic elements epoch Eugene Onegin example expression fact feel folklore freedom G. K. Chesterton give Glinka Gounod hand Haydn hear ideas imagination imposes invention Italian Johann Sebastian Bach judge lack language less lesson listener Marxism matter meaning melody ment MICHIGAN mind modern Mounet-Sully Mozart musical culture musician necessity never opera orchestra origin performance person phenomenon of music pleasure pompier present presupposes preter principle problem question realm reason revolution revolutionary rhythm Rimsky-Korsakov Rite of Spring romanticism Russian music seek sense Slavophiles snobs song sort sound Soviet music speak speculation spirit style Symphony Tannhäuser taste Tchaikovsky tendencies term things tion tonality tones tradition true truth understand UNIV Verdi Wagner word