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Page 11
It will be noted that , as yet , we have made no distinction between the sublime and the beautiful . It has not been necessary in the investigation which we have thus far been pursuing . What has been said in regard to the three ...
It will be noted that , as yet , we have made no distinction between the sublime and the beautiful . It has not been necessary in the investigation which we have thus far been pursuing . What has been said in regard to the three ...
Page 12
in that portion of the history which treats of art amongst the Greeks , the distinction between the sublime and the beautiful was a proper subject for inquiry . But he treats the essential of art under the general term , beautiful .
in that portion of the history which treats of art amongst the Greeks , the distinction between the sublime and the beautiful was a proper subject for inquiry . But he treats the essential of art under the general term , beautiful .
Page 14
In a word , the qualities of sublime objects are masculine , and those of beautiful objects are feminine . We are now prepared to unfold our peculiar theory of the beautiful in nature . In order to do this , it was necessary to say what ...
In a word , the qualities of sublime objects are masculine , and those of beautiful objects are feminine . We are now prepared to unfold our peculiar theory of the beautiful in nature . In order to do this , it was necessary to say what ...
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Bibliographic information
| Title | Southern Quarterly Review, Volume 29 |
| Editors | Daniel Kimball Whitaker, Milton Clapp, William Gilmore Simms, James Henley Thornwell |
| Publisher | Wiley & Putnam, 1967 |
| Original from | Harvard University |
| Digitized | 13 Mar 2007 |
| Export Citation | BiBTeX EndNote RefMan |