Nostalgia for the Modern: State Secularism and Everyday Politics in TurkeyDuke University Press, 2006 M08 30 - 240 pages As the twentieth century drew to a close, the unity and authority of the secularist Turkish state were challenged by the rise of political Islam and Kurdish separatism on the one hand and by the increasing demands of the European Union, the International Monetary Fund, and the World Bank on the other. While the Turkish government had long limited Islam—the religion of the overwhelming majority of its citizens—to the private sphere, it burst into the public arena in the late 1990s, becoming part of party politics. As religion became political, symbols of Kemalism—the official ideology of the Turkish Republic founded by Mustafa Kemal Atatürk in 1923—spread throughout the private sphere. In Nostalgia for the Modern, Esra Özyürek analyzes the ways that Turkish citizens began to express an attachment to—and nostalgia for—the secularist, modernist, and nationalist foundations of the Turkish Republic. Drawing on her ethnographic research in Istanbul and Ankara during the late 1990s, Özyürek describes how ordinary Turkish citizens demonstrated their affinity for Kemalism in the ways they organized their domestic space, decorated their walls, told their life stories, and interpreted political developments. She examines the recent interest in the private lives of the founding generation of the Republic, reflects on several privately organized museum exhibits about the early Republic, and considers the proliferation in homes and businesses of pictures of Atatürk, the most potent symbol of the secular Turkish state. She also explores the organization of the 1998 celebrations marking the Republic’s seventy-fifth anniversary. Özyürek’s insights into how state ideologies spread through private and personal realms of life have implications for all societies confronting the simultaneous rise of neoliberalism and politicized religion. |
From inside the book
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... citizens ' lives : A Life with Atatürk ( Gökçen 1994 ) ; The Blonde Zeybek : The Last Three Hundred Days of Ata ... Turkish flags in their hands . My mother had doffed a stylish black hat , and a piece of tulle covered the upper ...
... Turkish Republic founded by Mus- tafa Kemal Atatürk in 1923 , was moving to the private sphere — yet without deserting the public . Ordinary citizens promoted the ideology , carrying its symbols to private domains such as businesses and ...
... citizens , as proper models of citizenship . Such dedication has manifested itself through novel practices such as consuming symbols of the Turkish state , developing nostalgic sentiments for the early Republican days , and paying ...
... Turkish citizens , namely , that of state authority . A multi- plicity of meanings lay in the private sphere since it included any field con- ceptualized as outside the direct involvement of state power and hence one in which ...
... Turkish citizens did not think in terms of a tripartite public / private model that differentiated between the market , civil society , and the state ( Cohen and Arato 1992 ) . According to Turkish political activists , any sphere ...
Contents
1 | |
The Public History in the Private Story | 29 |
Displaying Transformations in Private Lives | 65 |
The Commodification of State Iconography | 93 |
Civilian Celebrations of the Turkish State | 125 |
Kemalist and Islamist Versions of the Early Republic | 151 |
Conclusion | 178 |
Notes | 183 |
References | 199 |
Index | 217 |