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turbed by war.

In the discussion between the two logoi the value of conservative custom in giving permanence to society is clearly set forth; in fact, this might be treated as the main thesis of the Clouds.

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That the love of excitement was a potent factor in Athenian life is quite generally recognized. The popularity of the law courts, which was due in a measure to this love of excitement, a theme of which Aristophanes never tires.* It is treated at greatest length in the Wasps, in which Philocleon is represented as fairly crazy on the subject; at the end of the play, however, it appears that the craze can be overcome. After the "homoeopathic" treatment of a mimic court, an appeal to appetite and to the Athenian fondness for display quite wins over the old

man.

The ethical postulates at the basis of society are not passed over without recognition. In the Clouds Strepsiades is most anxious to discover a means of repudiating his debts. In spite of warnings, he places first himself, then his son, under the tutelage of Socrates in order to learn how to make "the worse appear the better reason;" he succeeds in shaking off two of his creditors, but he is soon taught that the weapon he is using may be turned against himself. In the end the man most inclined to protest against the demands of social justice learns his own dependence on it. The result of the dramatic action is emphasized in the discussion; in particular, the argument of the two logoi bring out the poet's conception of the value of education and religion as ethical forces which underlie anything that deserves the name of society. In the Birds the effort of two Athenians to escape social and political obligations meets with the most fantastic success. It was not the aim of the Clouds to preach the value of justice, but rather to hit off the characteristic traits of the sophist in such a way as to amuse the audience; so it was not the aim of the Birds to demonstrate that a man can escape from the demands of society or that he cannot escape them; the aim was to amuse the audience by an extravagant picture of the results which took place when a man attempted * Cf. Eccl., 450, 560, 585. 2 Nub., 444 f., 1142 f.

744

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to escape these demands. The extravagance of the poet is indication enough that he knew the futility of such efforts as were made by Euelpides and Peithetærus.

II. THE FAMILY AND THE STATE.

The family is treated by Aristophanes from three points of view. First, as to the relation of husband and wife, the poet sees their mutual dependence and makes this fact the central feature of the Lysistrata. In the parabasis of the Thesmophoriazouse (786 f.) the attitude of husbands toward their wives, the way they speak ill of their wives while at the same time they guard these "plagues" as most precious, is cleverly described:

They're always abusing the women,

As a terrible plague to men:
They say we're the root of all evil,
And repeat it again and again.
And pray, then, why do you marry us,
If we're all the plagues you say?
And why do you take such care of us,
And keep us so safe at home,
And are never easy a moment,
If ever we chance to roam ?

When you ought to be thanking heaven
That your plague is out of the way.'

Finally in the Clouds the fact that Strepsiades has taken a wife from a higher social station than his own is one of the factors that complicate the plot. Their tastes differ at every point; she involves her husband in the debts from which he is trying to escape, and she wants to bring up their son as a member of the class in society from which she came.

Secondly, Aristophanes points out that the home is the woman's sphere, and that she wins credit by proper manage. ment of it. His women complain that the dramas of Euripides had made the Athenians very suspicious of their wives. If one were to take the representation of the women by comedy as the criterion, he would regard the opinion attributed to Euripides as only too well founded; Aristophanes, however, is consciously

'Collin's translation.

a Thesm., 385, 419; Batr., 980.

assuming the privileges of a satirist; he feels not the slightest hesitation in making use of Euripides's devices, even when he is holding up Euripides himself to ridicule. There must be irony in the proposal to turn over the management of the state to women because they managed their households so well; perhaps the poet thought that households were no better managed than the scheme of government which the women tried to institute. That women were easily led by passion (as in their attempt to get even with Euripides), that they were inclined to be visionary, that they found amusement in cheating their husbands in small matters, no doubt the poet would hold; it is very evident also that he can count on amusing his audience by treating the failings of women; still, if I read these comedies rightly, the ability of women in general to manage a home well was not discredited either by the poet or by his audience.

Thirdly, the relation of father and son is frequently treated in these plays. In the Clouds Pheidippides is brought up from childhood to feel that he is superior to his father. He treats his father's suggestions somewhat cavalierly; having the support of his mother and her aristocratic connections, he is not much moved by his father's threat to turn him out of the house; but by bribes, persuasions, and threats Strepsiades finally gains his point. It is only as the result of the new sophistic teaching that the respect of the son entirely disappears, so that he justifies himself in beating his father. In the Ecclesiazousæ (635 f.) one of the great objections to the communistic family is that fathers will not know their sons; to this Aristophanes replies, as Plato replied later, that all the young will reverence the older as fathers so much the more because the older will combine to enforce their rights. In the Birds (1351) the man who wants to treat his father as birds are said to treat their parents is advised to go and fight the Thracians instead. The plot of the Wasps turns on the difficulties which no doubt often did arise when the father was old and unreasonable; here and in the Clouds we have the Greek justification for this treatment of sons by parents, in that each man has his turn as father.

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Much as Aristophanes has to say about contemporary politics, with its wholesale briberies,' its wheedling of the sovereign people, and the misconduct of those intrusted with power, he says but little about the functions of the state, or the principle on which the state is based. So strong are democratic tendencies at Athens that, if one asks a fish-dealer for some kind of fish which he does not happen to have on hand, he may be answered that it savors of tyranny to be so particular about one's food. One of the most convincing arguments against the administration at Athens which had been carrying on the Peloponnesian war was the charge of unfairness in the distribution of duties and privileges by the state. This jealous watch over the rights of each member of the community shows what democracy meant for the Athenians of Aristophanes's day, viz., that the rights of the individual were quite as important as the authority of the community. Closely connected with this sentiment is the fundamental principle of Athenian politics, the principle that the origin and legitimacy of government depend on the will of the people. So fully was this principle recognized that we need hardly be surprised to find that Aristophanes and his audience do not seem to have given critical consideration to the question of the state. This principle finds a good illustration in the ease with which the new communistic constitution of the Ecclesiazouse was proposed and set in operation. Such a change seemed quite natural for the Athenians of that day, because it was in line both with political practice and with the political philosophy of the day. It was only necessary for the women to give themselves a little practice in debate, and to steal away from their husbands dressed up as men -scenes which furnish free scope for the poet's fun; then they can pack the assembly and put through the constitution which turns over the government of the state to the women.

In the arguments adduced in favor of the new plan, both before the assembly and later in private discussion, there is

I Pax, 645; Plut., 170 f.

Achar., 639 f.; Equit., pass.

3 Cf. the report of the embassies, Achar., 65 f.

4 Vesp., 493 f.; Cf. Pax, 640.

5 Achar., 609 f.

6 Cf. Ibid., 632.

some attempt to analyze the different functions of the state.1 The army will be in the hands of wives and mothers who will see that life is not thrown away recklessly and that the hardships of the soldiers are not too great. The women claim some skill in financial administration; as they have managed the household in spite of interference by their husbands, so they will take into their hands the property of all the citizens and use the revenues to supply the needs of all. The administration of justice will be directly in the hands of the executive power, so as to dispense with litigation. Further, it will be unnecessary to punish crime, for the causes of crime are to be removed, while the control of the necessaries of life will make the authority of the new government absolute.

From this account it appears that the essential difference between the family and the state is overlooked, not perhaps by Aristophanes so much as by the philosophers whose conceptions he holds up to ridicule. Financial, judicial, and military activity are recognized as functions of the state, while all three are subordinated to the direct effort to meet the individual economic needs of the citizens. Communism is held up to ridicule and is brought to a speedy end; the recognition of the economic basis of the state, and some crude analysis of the functions of the state represent the condition of political science as understood by the poet.

III.

PROPERTY AND ECONOMIC QUESTIONS.

The scheme of communism, the inauguration and failure of which constitute the plot of the Ecclesiazousæ, is interesting from the economic as well as from the political side. Such schemes inevitably come up for discussion when the distribution of wealth in a state theoretically democratic becomes very unequal. Moreover, certain practices at Athens would serve as a natural starting-point for the theory. The gifts of corn to the people,3 and the practice of bribing the people into good humor ridiculed in the Knights (where the assembly turns first 1 Cf. especially Eccl., 232 f., 452 f., 560 f.

2 Eccl., 211; Thesm., 419, 812; Batr., 982; Lysist., 495.

3 Vesp., 715 f.

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