Interrogating Postfeminism: Gender and the Politics of Popular Culture
This timely collection brings feminist critique to bear on contemporary postfeminist mass media culture, analyzing phenomena ranging from action films featuring violent heroines to the “girling” of aging women in productions such as the movie Something’s Gotta Give and the British television series 10 Years Younger. Broadly defined, “postfeminism” encompasses a set of assumptions that feminism has accomplished its goals and is now a thing of the past. It presumes that women are unsatisfied with their (taken for granted) legal and social equality and can find fulfillment only through practices of transformation and empowerment. Postfeminism is defined by class, age, and racial exclusions; it is youth-obsessed and white and middle-class by default. Anchored in consumption as a strategy and leisure as a site for the production of the self, postfeminist mass media assumes that the pleasures and lifestyles with which it is associated are somehow universally shared and, perhaps more significantly, universally accessible.
Essays by feminist film, media, and literature scholars based in the United States and United Kingdom provide an array of perspectives on the social and political implications of postfeminism. Examining magazines, mainstream and independent cinema, popular music, and broadcast genres from primetime drama to reality television, contributors consider how postfeminism informs self-fashioning through makeovers and cosmetic surgery, the “metrosexual” male, the “black chick flick,” and more. Interrogating Postfeminism demonstrates not only the viability of, but also the necessity for, a powerful feminist critique of contemporary popular culture.
Contributors. Sarah Banet-Weiser, Steven Cohan, Lisa Coulthard, Anna Feigenbaum, Suzanne Leonard, Angela McRobbie, Diane Negra, Sarah Projansky, Martin Roberts, Hannah E. Sanders, Kimberly Springer, Yvonne Tasker, Sadie Wearing
Results 1-5 of 90
As this example suggests, many postfeminist texts combine a deep uncertainty about existing options for women with an idealized, essentialized femininity that symbolically evades or transcends institutional and social problem spots.
... for example, dedicate themselves to staging rejuvenating transformations and the fantasy that aging can be managed away. The ambivalence about aging that strongly characterizes such fictions is also extended to feminism itself.
Yet there are national specificities to postfeminism, addressed here through the essays by Martin Roberts and Hannah Sanders in particular. The essays presented here draw examples from a range of media—tele- vision, film, music, ...
... and which forms the examples discussed in much scholarly writing, is exclusionary. In this volume, Kimberly Springer draws attention to the specificity of the “black chick flick,” for instance, a cycle of romantic comedies focusing ...
... postfeminism and offer feminist critiques of contemporary gender politics, for example, Imelda Whelehan's Modern Feminist Thought: From the Second Wave to “Post-feminism” and Overloaded: Popular Culture and the Future of Feminism, ...
What people are saying - Write a review
Some Reflections on Postfeminist Girls and Postfeminisms Daughters
The Magic of Postfeminist Sisterhood
Adultery Boredom and the Working Girl in TwentyFirstCentury American Cinema
Feminisms Postfeminisms and Processes of Punk
Rethinking Feminism and Film Violence
8 Whats Your Flava? Race and Postfeminism in Media Culture
Governing the Self in What Not to Wear
African American Women in Postfeminist and PostCivilRights Popular Culture
Aging in Postfeminist Culture
Camp Postfeminism and the Fab Fives Makeovers of Masculinity