Interrogating Postfeminism: Gender and the Politics of Popular Culture
This timely collection brings feminist critique to bear on contemporary postfeminist mass media culture, analyzing phenomena ranging from action films featuring violent heroines to the “girling” of aging women in productions such as the movie Something’s Gotta Give and the British television series 10 Years Younger. Broadly defined, “postfeminism” encompasses a set of assumptions that feminism has accomplished its goals and is now a thing of the past. It presumes that women are unsatisfied with their (taken for granted) legal and social equality and can find fulfillment only through practices of transformation and empowerment. Postfeminism is defined by class, age, and racial exclusions; it is youth-obsessed and white and middle-class by default. Anchored in consumption as a strategy and leisure as a site for the production of the self, postfeminist mass media assumes that the pleasures and lifestyles with which it is associated are somehow universally shared and, perhaps more significantly, universally accessible.
Essays by feminist film, media, and literature scholars based in the United States and United Kingdom provide an array of perspectives on the social and political implications of postfeminism. Examining magazines, mainstream and independent cinema, popular music, and broadcast genres from primetime drama to reality television, contributors consider how postfeminism informs self-fashioning through makeovers and cosmetic surgery, the “metrosexual” male, the “black chick flick,” and more. Interrogating Postfeminism demonstrates not only the viability of, but also the necessity for, a powerful feminist critique of contemporary popular culture.
Contributors. Sarah Banet-Weiser, Steven Cohan, Lisa Coulthard, Anna Feigenbaum, Suzanne Leonard, Angela McRobbie, Diane Negra, Sarah Projansky, Martin Roberts, Hannah E. Sanders, Kimberly Springer, Yvonne Tasker, Sadie Wearing
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The Fashion Police: Governing the Self in What Not to Wear 227 MarTin roberTs 10. Divas, Evil Black Bitches, and Bitter Black Women: African American Women in Postfeminist and Post-Civil-Rights Popular Culture 249 kiMberlY sPringer 11.
Making her presentation of a high school graduation concept for the magazine while wearing a bright pink ensemble and holding a pink balloon, she declares that she “wants to put life back into the magazine,” underscoring the importance ...
... the makeover, whether of body or lived environment, enacts, as Sadie Wearing demonstrates in this volume, a particular form of temporality in which youth is fetishized and change accelerated or even presented as instantaneous.
... by a high degree of discursive harmony evidenced in such “transit” texts as Bridget Jones's Diary, Sex and the City, I Don't Know How She Does It, Bergdorf Blondes, and (as Martin Roberts analyzes in this volume) What Not to Wear.
In this volume, Sadie Wearing and Martin Roberts demonstrate the sharply drawn class parameters of the fashion makeovers enacted in the British shows 10 Years Younger (2004–5) and What Not to Wear (2002), ...
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Some Reflections on Postfeminist Girls and Postfeminisms Daughters
The Magic of Postfeminist Sisterhood
Adultery Boredom and the Working Girl in TwentyFirstCentury American Cinema
Feminisms Postfeminisms and Processes of Punk
Rethinking Feminism and Film Violence
8 Whats Your Flava? Race and Postfeminism in Media Culture
Governing the Self in What Not to Wear
African American Women in Postfeminist and PostCivilRights Popular Culture
Aging in Postfeminist Culture
Camp Postfeminism and the Fab Fives Makeovers of Masculinity