A History of Literary Criticism in the Renaissance: With Special Reference to the Influence of Italy in the Formation and Development of Modern ClassicismColumbia University Press, 1899 - 330 pages |
From inside the book
Results 1-5 of 14
Page 216
... Malherbe and Boileau . Like Malherbe , and his disciple Deimier , the author of the Académie de l'Art Poétique ( 1610 ) , in which the influence of the Quintil is fully acknowledged , the author of the Quintil objects to all forms of ...
... Malherbe and Boileau . Like Malherbe , and his disciple Deimier , the author of the Académie de l'Art Poétique ( 1610 ) , in which the influence of the Quintil is fully acknowledged , the author of the Quintil objects to all forms of ...
Page 220
... Malherbe and the practice of French classic verse , in forbidding both hiatus and enjambement , though in a later work of his this opinion is reversed . He was also probably the first to insist on the regular alternation of mas- culine ...
... Malherbe and the practice of French classic verse , in forbidding both hiatus and enjambement , though in a later work of his this opinion is reversed . He was also probably the first to insist on the regular alternation of mas- culine ...
Page 230
... is often very bad , being the language of ladies and of young gentlemen who make a profession of fighting well rather than of speaking well.1 Unlike Malherbe and his school , Ronsard allows 230 LITERARY CRITICISM IN FRANCE [ CHAP .
... is often very bad , being the language of ladies and of young gentlemen who make a profession of fighting well rather than of speaking well.1 Unlike Malherbe and his school , Ronsard allows 230 LITERARY CRITICISM IN FRANCE [ CHAP .
Page 231
... Malherbe and his school , Ronsard allows a certain amount of poetic license , but only rarely and judiciously . It is to poetic license , he says , that we owe nearly all the beau- tiful figures with which poets , in their divine ...
... Malherbe and his school , Ronsard allows a certain amount of poetic license , but only rarely and judiciously . It is to poetic license , he says , that we owe nearly all the beau- tiful figures with which poets , in their divine ...
Page 236
... Malherbe . Malherbe's power or message as a poet is of no concern here ; 236 LITERARY CRITICISM IN FRANCE [ CHAP . The Reaction against the Pléiade.
... Malherbe . Malherbe's power or message as a poet is of no concern here ; 236 LITERARY CRITICISM IN FRANCE [ CHAP . The Reaction against the Pléiade.
Other editions - View all
Common terms and phrases
according action æsthetic ancient Aris Aristotelian Aristotelian canons Aristotle Aristotle's Poetics Art Poét Art Poétique Arte Poetica Ascham attempt authority beauty Bellay Bellay's Ben Jonson Boileau Castelvetro character Christian classical metres comedy conception Daniello Defence of Poesy Défense delight doctrine drama element English criticism epic poetry form of poetry formulated Fracastoro France French criticism French poetry Giraldi Cintio Greek Haslewood Homer Horace human humanists Ibid ideal imitation influence Italian criticism Italian Renaissance Italy Jonson language Latin Laudun laws literary criticism Maggi Malherbe mediæval medieval merely Middle Ages Minturno modern moral Muzio nature Orlando Furioso pagan perfect period Petrarch philosophy pity and fear Platonic Pléiade poem poet poet's Poeta poetic art precepts published reason regarded Renaissance criticism rhetorical Robortelli romantic romanzi Ronsard rules Scaliger Sidney sixteenth century Tasso theory of poetry things three unities tion tragedy tragic treatise Trissino unity Varchi Vauquelin verse Vida Virgil virtue writers