Poetics of Music in the Form of Six LessonsG. Cumberlege, 1947 - 142 pages Getting acquainted -- The phenomenon of music -- The composition of music -- Musical typology -- The avatars of Russian music -- The performance of music. |
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Page 7
... question of my private feelings and tastes ; nor is it a question of a theory of music pro- jected through a subjective prism . My experiences and investigations are entirely objective , and my introspec- tions have led me to question ...
... question of my private feelings and tastes ; nor is it a question of a theory of music pro- jected through a subjective prism . My experiences and investigations are entirely objective , and my introspec- tions have led me to question ...
Page 17
... questions that vitally concern us today : those that involve the public , snobbery , patronage , and philistinism . Likewise modernism and academicism and the eternal question of classicism and romanticism . The fifth lesson will be ...
... questions that vitally concern us today : those that involve the public , snobbery , patronage , and philistinism . Likewise modernism and academicism and the eternal question of classicism and romanticism . The fifth lesson will be ...
Page 122
... question that we propose to take up now : the question of the executant and the interpreter . The idea of interpretation implies the limitations im- posed upon the performer or those which the performer imposes upon himself in his ...
... question that we propose to take up now : the question of the executant and the interpreter . The idea of interpretation implies the limitations im- posed upon the performer or those which the performer imposes upon himself in his ...
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Common terms and phrases
academic academicism aesthetic artist beautiful become Beethoven betray called CHARLES ELIOT NORTON communist completely composer composer's compositions concepts course creation creative creator critics disorder dissonance dogmatic elements epoch Eugene Onegin example fact feel folklore give Glinka Gounod hand Haydn ideas imagination imposes invention Italian Johann Sebastian Bach judge lack language less lesson listener Marxism matter Mavra meaning melody mind modern Mounet-Sully Mozart music drama musical culture musician natural necessity never opera orchestra origin performance person phenomenon of music pleasure POETICS OF MUSIC polyphony pompier present presupposes principle problem question realm reason Revolution revolutionary rhythm Rigoletto Rimski-Korsakov Rite of Spring romanticism Russian music Scudo seek sense Slavophiles snobs song sort sound Soviet music speak speculation spirit STRAVINSKY style Symphony Tannhäuser taste Tchaikovsky tendencies term things tion tonal tones tradition true truth understand Verdi Wagner Wagnerian word