Poetics of Music in the Form of Six LessonsG. Cumberlege, 1947 - 142 pages Getting acquainted -- The phenomenon of music -- The composition of music -- Musical typology -- The avatars of Russian music -- The performance of music. |
From inside the book
Results 1-3 of 4
Page 94
... Glinka . From Glinka on we can observe the use of folklore in Russian music . It is in the opera A Life for the Czar that the melos of the people is quite naturally incor- porated into art music . Glinka is not here obeying the dictates ...
... Glinka . From Glinka on we can observe the use of folklore in Russian music . It is in the opera A Life for the Czar that the melos of the people is quite naturally incor- porated into art music . Glinka is not here obeying the dictates ...
Page 96
... Glinka lived during the reign of the opera and Italian song , Tchaikovsky , who appears at the end of this reign and whose formation had been determined by it , did not have an exclusive admiration for Italian music . His formal ...
... Glinka lived during the reign of the opera and Italian song , Tchaikovsky , who appears at the end of this reign and whose formation had been determined by it , did not have an exclusive admiration for Italian music . His formal ...
Page 97
... Glinka who em- braced Italy , of the Russian Five who wed national folklore to the naturalistic realism dear to their epoch , and of the Russian Tchaikovsky , who found his true expression by turning with open arms to occidental culture ...
... Glinka who em- braced Italy , of the Russian Five who wed national folklore to the naturalistic realism dear to their epoch , and of the Russian Tchaikovsky , who found his true expression by turning with open arms to occidental culture ...
Other editions - View all
Common terms and phrases
academic academicism aesthetic artist beautiful become Beethoven betray called CHARLES ELIOT NORTON communist completely composer composer's compositions concepts course creation creative creator critics disorder dissonance dogmatic elements epoch Eugene Onegin example fact feel folklore give Glinka Gounod hand Haydn ideas imagination imposes invention Italian Johann Sebastian Bach judge lack language less lesson listener Marxism matter Mavra meaning melody mind modern Mounet-Sully Mozart music drama musical culture musician natural necessity never opera orchestra origin performance person phenomenon of music pleasure POETICS OF MUSIC polyphony pompier present presupposes principle problem question realm reason Revolution revolutionary rhythm Rigoletto Rimski-Korsakov Rite of Spring romanticism Russian music Scudo seek sense Slavophiles snobs song sort sound Soviet music speak speculation spirit STRAVINSKY style Symphony Tannhäuser taste Tchaikovsky tendencies term things tion tonal tones tradition true truth understand Verdi Wagner Wagnerian word