Manhood in America: A Cultural HistoryFree Press, 1996 - 544 pages In a time when psychologists are rediscovering Darwin, and much of our social behavioral is being reduced to ancient, hard-wired patterns, Michael Kimmel's history of manhood in America comes as a much needed reminder that our behavior as men and women is anything but stable and fixed. Kimmel's authoritative, entertaining, and wide-ranging history of men in America demonstrates that manhood has meant very different things in different eras. Drawing on advice books, magazines, political pamphlets, and popular novels and films, he makes two surprising claims: First, manhood is homosocial - that is, men need to prove themselves to each other, not to women. Second, definitions of manliness have evolved in response to women's movements. When women act, men react. Originally, manliness was an internal virtue and a democratic ideal - British men were viewed as fops, and American men had to be independent, honest, and responsible. By the 1890s, however, manhood changed to masculinity, something that had to be constantly proven through the new explosion of sports, fraternities, and fashion. Finally, in 1936, Lewis Terman, the creator of the IQ test, developed an "M-F" test to analyze adolescents' masculinity and femininity. Until well into the 1960s, the test penalized boys who preferred to draw flowers instead of forests, or who knew that a teacup was used for drinking tea. But just as Terman's categories and questions seem outdated to us, so will our own standards seem temporary to our successors. |
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Page 218
... film era of the 1920s and 1930s . Many early films promised fantasy escape from quotidian routine , and several also served as meditations on manhood . Cecil B. DeMille's Male and Female ( 1919 ) , for example , was an adaptation of ...
... film era of the 1920s and 1930s . Many early films promised fantasy escape from quotidian routine , and several also served as meditations on manhood . Cecil B. DeMille's Male and Female ( 1919 ) , for example , was an adaptation of ...
Page 287
... film also tended to end in tragedy in the late 1960s and 1970s ; what's more , the settings for these films became increasingly ironic in films like Easy Rider or Midnight Cowboy , both released in 1969. The male bonding celebrated in these ...
... film also tended to end in tragedy in the late 1960s and 1970s ; what's more , the settings for these films became increasingly ironic in films like Easy Rider or Midnight Cowboy , both released in 1969. The male bonding celebrated in these ...
Page 481
... films failed to find much of an audi- ence , and the reappearance of the western may be more a function of the absence of innovative vision in a Hollywood preoccupied with mining successful old television shows for new films ...
... films failed to find much of an audi- ence , and the reappearance of the western may be more a function of the absence of innovative vision in a Hollywood preoccupied with mining successful old television shows for new films ...
Contents
The Birth of the SelfMade Man | 13 |
SelfControl and Fantasies of Escape | 43 |
PART | 79 |
Copyright | |
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