COWGILL, ROME. See KRULSVITCH-Radio Drama Production. CREWS, ALBERT. Radio Production Directing. New York, Houghton Mifflin Co., 1944. The first textbook in a series resulting from summer radio institutes launched cooperatively in 1941 by Northwestern University and the National Broadcasting Company. Written as a guide for professional training for careers in radio broadcasting. Professional Radio Writing. New York, Houghton Mifflin Co., 1946. An analysis of radio writing for all types of markets and listeners. A glossary of terms and assignments for student practice are included. CURRAN, CHARLES W. The Handbook of TV and Film Technique. New York, Pellegrini & Cudahy, 1953. A nontechnical production guide for executives. Gives basic facts about producing films, including production costs; methods and procedures, and a glossary of trade terms. Screen Writing and Production Techniques. New York, Hastings House, 1958. A nontechnical handbook for TV, film, and tape. Part I deals with creating and developing the script; Part II deals with production planning and actual staging procedure; and Part III analyzes the factors in production cost. DIMOND, S. A., and ANDERSSON, D. M. Radio and Television Workshop Manual. New York, Prentice-Hall, Inc., 1952. A practical guide to creative radio and television production, with emphasis on simplified types of programing for the small station. See GOULD-Training the Local Announcer. A practical text covering radio-TV writing opportunities, with helpful information on how to prepare for work in this field. Each type of writing is discussed, and selected Exercises examples are presented for study. are included for individual and group practice. FRENCH, FLORENCE F., LEVENSON, WILLIAM B.; and ROCKWELL, VERA C. Radio English. New York, McGrawHill Book Co., Inc., 1952. A high school and junior college text for radio English and radio workshop groups. Deals with various aspects of programing and Part includes a play for radio production. V deals with television planning. FUNT, ALLEN. Eavesdropper at Large. New York, Vanguard Press, 1952. A behind-the-scenes account of the author's experiences in dealing with human nature while producing the "Candid Camera" television and "Candid Mike" radio series on the air. GARRISON, GARNET R. See CHESTERRadio and Television-An Introduction. HALAS, JOHN and MANVELL, ROGER. The Technique of Film Animation. New York, Hastings House Publishers, Inc., 1959. A "how to" treatment of the whole subject of film animation. Part I covers various factors which govern animation; part II the many uses of animated materials; part III the special case of the animated cartoon; part IV a variety of other types and specialpurpose animations. HARSHBARGER, H. CLAY. See BECKER— Television: Techniques for Planning and Performance. HEATH, ERIC. Writing for Television. Los Angeles, American Book Institute, 1950. A textbook for the beginning television writer with equally useful aids for the advanced student. Rev. ed., 1953. Rev. ed., 1954. Published by Horizon Publications. HEATH, HARRY E., Jr. See CAMPBELL—A Guide to Radio-TV Writing. HENNEKE, BEN G. The Radio Announcer's Handbook. New York, Rinehart & Co., Inc., 1948. Designed to teach speech students the rudiments of radio announcing. Exercises are included, along with drill material. and DUMIT, EDWARD S. The Announcer's Handbook. 2d ed. New York, Rinehart & Co., Inc., 1959. Copywork, exercises, and drill provide a variety of sources of rehearsal material and classroom practice. General text is brief. HERMAN, LEWIS. A Practical Manual of Screen Playwriting. Cleveland, Ohio, The World Publishing Co., 1952. A guide for the beginning writer of screen plays for the theater and television and a sourcebook of new ideas for the professional writer. HERMAN, LEWIS. Manual of American Dialects for Radio, Stage, Screen, and Television. Chicago, Ziff-Davis Publishing Co., 1947. An authentic source for the dialect enthusiast. Contains 30 foreign dialects with character studies, speech peculiarities, and examples of phonetic monologs. HODAPP, WILLIAM. The Television Manual. New York, Farrar, Straus & Young, Inc., 1953. A guide to TV production and programing for education, public affairs, and entertainment. Explains many of the elements of program formats and sources. Has chapter on writing for television films and on operation of educational television. - The Television Actor's Manual, New York, Appleton-Century-Crofts, 1955. Extensive advice to the television actor, including job opportunities, tips on casting, acting techniques, agent selection, and effective publicity. HOFFMAN, WILLIAM G., and ROGERS, RALPH L. Effective Radio Speaking. New York, McGraw-Hill Book Co., 1944. Under the headings Psychology, Strategy, Organization, Language, Writing, and Reading of a Radio Speech, practical pointers are given to help overcome mike fright and add color and interest in the delivery of an effective radio speech. HOTALING, BURTON L. A Manual of Radio News Writing. Milwaukee, Wis., The Milwaukee Journal, 1947. Discusses various types of radio news from writing to editing. HUBBELL, RICHARD W. Television Programing and Production. New York, Rinehart and Co., Inc., 1956. Rev. 3d ed. Appendix includes a complete shooting script of a TV drama, with director's cues written in. Traces the growth of TV in America and Europe. Compares TV with other media while presenting a detailed explanation of the nature of TV programing, camera lenses, and operating techniques, theory of video skills, incorporation of audio devices, and TV production theories. HUNTLEY, JOHN. See MANVELL-Technique of Film Music. HUTCHINSON, THOMAS H. Here Is Television-Your Window to the World. New York, Hastings House, 1946. An account of television as it exists today, with a forecast of developments to be expected. Revised 1948; completely revised 1950. HYDE, STUART W. Television and Radio Announcing. Boston, Mass., Houghton Mifflin Co., 1959. A compilation of material from the various subjects required of the announcer. Sections on foreign pronunciations, technical aspects of radio-TV, international phonetic alphabet, and practice material for all types of announcing assignments. Glossary. JOELS, MERRILL H. Acting Is A Business. New York, Hastings House, 1955. A semi-autobiographical guidebook on how to get into radio and television as an actor. Includes a list of sources and services in New York City. JOHNSON, RAY V. See CAMPBELL-A Guide to Radio-TV Writing. JONES, JOHN PAUL. See BROWN-Radio and Television News. KAUFMAN, WILLIAM I., and COLODZIN, ROBERT. Your Career in Television. New York, Merlin Press, 1950. An appraisal of job possibilities in television along with suggestions on choosing a career as an actor, director, or other activity in the television field. KAUFMAN, WILLIAM I., ed. Ного То Write for Television. New York, Hastings House, 1955. A collection of short articles by 10 successful writers and script editors, giving specific advice on what it takes to create saleable scripts. How To Direct for Television. New York, Hastings House, 1955. Information and advice on the director's problems as prepared by some of the bestknown directors and producers. How To Announce for Radio and Television. House, 1956. A collection of short articles by well-known broadcasters. Offers advice on opportunities in the field and on how to prepare for special types of announcing careers. KEITH, ALICE. How To Speak and Write for Radio. New York, Harper & Bros., 1944. A reference manual containing suggested "short-cut" methods of acquiring an effective A new edition of the handbook described above, with an added text on the fundamentals of radio acting and exercise material. KRULEVITCH, WALTER, and COWGILL, ROME. Radio Drama Production. New York, Rinehart & Co., 1946. A handbook for the average classroom workshop, giving background of production theory. Contains scripts with exercises for developing skill in elements of radio drama production. LA PRADE, ERNEST. Broadcasting Music. New York, Rinehart & Co., 1947. An explanation of the entire process of broadcasting music, from the planning of the program to its production in the studio. LAWTON, SHERMAN P. See EWBANKBroadcasting: Radio and Television. LEVENSON, WILLIAM B. See FRENCHRadio English. LEVY, RALPH. See KINGSON-Broadcasting Television and Radio. MCCANDLESS, STANLEY. Syllabus of Stage Lighting, A. New Haven, Conn., Whitlock's, Inc., 1953. The eighth edition of a text written primarily for the teacher. ROBERTS, EDWARD BARRY. Television Writing and Selling. Boston, Mass., The Writer, Inc., Pub., 1960. 3d ed. This revision offers detailed information on actual techniques, many selections for study and analysis, and a thorough guide to the successive steps of adaptation for TV. Contains advice and many helpful facts for the TV writer. ROCKWELL, VERA C. See FRENCHRadio English. ROGERS, RALPH. See HOFFMAN-Effective Radio Speaking. ROYAL, JOHN F. Television Production Problems. New York, McGraw-Hill Book Co., 1948. Compiled from a series of 11 lectures by NBC television personnel in a course given by Columbia University and NBC. SETTEL, IRVING. How To Write Television Comedy. Boston, Mass., The Writer, Inc., 1958. Defines types of TV comedy and what it takes to write them: How to write jokes; making people laugh; gags and characterizations; dramatic comedy; hints on selling TV scripts. 551023-60- -4 SHALLET, MARGUERITE. See HERMANManual of Foreign Dialects. SILLER, BOB, TERKEL, HAL, and WHITE, TED. Television and Radio News. New York, The Macmillan Co., 1960. Written particularly for the broadcasting journalist, the book contains basic information on procedures for gathering, writing, and presenting news on radio and television. SKILBECK, OSWALD. ABC of Film and TV Working Terms. New York, Hastings House, Pub., Inc., 1960. A dictionary explaining the working words used in British film and TV studios. SNYDER, Ross.-See PARKER-Religious Radio: What To Do and How. STASHEFF, EDWARD, and BRETZ, RUDY. The Television Program. New York, A. A. Wyn, Inc., 1951. A guide to writing, directing, and producing television programs. Contains photographs, diagrams, charts, and actual directors' scripts of outstanding programs. Television Program, The. New York, Hill and Wang, 1956 Rev. Writing, direction, and production of the TV program are treated in great detail Illustrations and diagrams. An extensive "how to do it" reference source for various phases of TV programing. TERKEL, Television Scripts-See BRETZ. HAL. See SILLER-Television and Radio News. TOBIN, RICHARD L. New Styles Book. New York, American Broadcasting Co., Inc., 1946. A few do's and don'ts on radio news writing and some specific word styles. TOOLEY, HOWARD. The Television Workshop. Minneapolis, Minn., Northwest Press, 1953. Written to acquaint the actor or actress with a few working tools of TV. Sample scripts. Glossary. TURNBULL, ROBERT B. Radio and Televi sion Sound Effects. New York, Rinehart & Co., Inc., 1951. A comprehensive analysis of the part that sound plays in the radio and television drama, how it is affected by writing and production, and some of the problems of the sound technician. WADE, ROBERT J. Designing for TV. New York, Pelligrini and Cudahy, 1952. A book on art and design in television staging, written expressly for the graphic artist, craftsman, or production designer. Staging TV Programs and Commercials. New York, Hastings House, 1954. A handbook on how to plan and execute television sets, props, and production facilities. Includes suggestions for relating stage-craft experience to TV. WALKER, E. JERRY. Religious Broadcasting: A Manual of Techniques. Washington, D.C., National Association of Broadcasters, 1945. A guide for those who prepare and present religious programs. WARREN, CARL NELSON. Radio News Writing and Editing. New York, Harper & Bros., 1947. Text with diagrammatic illustrations to cover the various phases of radio news work. WEISS, MARGARET R. The TV Writer's Guide. New York, Pellegrini and Cudahy, 1952. A handbook showing basic writing techniques, with suggestions for the preparation of professional scripts and for their protection and marketing. WHITE, MELVIN R. Beginning Radio Production. Minneapolis, Minn., The Northwestern Press, 1950. A textbook for advanced high school and beginning college students; intended primarily to develop basic knowledge and skills essential to the radio worker. Microphone Technique for Radio Actors. Minneapolis, Minn., Northwestern Press, 1950. A brief and elementary handbook for the beginning radio actor. WHITE, PAUL W. News on the Air. New York, Harcourt, Brace & Co., 1947. An analysis of news gathering and preparation for broadcasting by one of radio's well-known news writers. WHITE, TED. See SILLER-Television and Radio News. WHITING, FRED. See MOSSE-Television News Handbook. |